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Performer: Bruno Poet

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MadridIl trovatore

Marina Rebeka (Leonora) © Javier del Real | Teatro Real
Verdi: Il trovatore
Nicola Luisotti; Francisco Negrín; Teatro Real; François López-Ferrer; Louis Désiré; Bruno Poet

LondonDon Giovanni

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Mozart: Don Giovanni
Stefano Montanari; Kasper Holten; The Royal Opera; Es Devlin; Anja Vang Kragh; Bruno Poet; Orchestra of the Royal Opera House Covent Garden
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Kasper Holten's cinematic Don Giovanni shines at the COC

Gordon Bintner (Don Giovanni) and Mané Galoyan (Donna Anna) © Michael Cooper
Kasper Holten’s much travelled and spectacular Don Giovanni gets a fresh and lively remount at Toronto’s Four Seasons Centre from a young cast headed up by Gordon Bintner. 
****1
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Kasper Holten’s powerful, hi-tech Don Giovanni arrives at LA Opera

Lucas Meachem (Don Giovanni) © Craig T Mathew | LA Opera
Lucas Meachem’s portrayal suggests a paraphrase of what another Hollywood Don Juan, Errol Flynn in 1949, said to his Leporello in excusing his escapades. “My dear friend, there’s a little bit of Don Giovanni in every man, and since I am Don Giovanni, there must be more of it in me!” 
*****
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English National Opera revives Akhnaten to spectacular effect

Anthony Roth Costanzo (Akhnaten) © Belinda Jiao
Philip Glass' operatic take on Ancient Egyptian history returns to the Coliseum in Phelim McDermott's hypnotic production, complete with jugglers...
*****
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On a knife-edge: Carmen returns to English National Opera

Sean Panikkar (Don José) and Ginger Costa-Jackson (Carmen) © Adiam Yemane
Bieito’s vivid production of Bizet's most famous work is a classic; his attack on toxic masculinity is visceral, made more potent by an excellent leading pair of singers.
****1
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Star-studded gloom in Kevin Puts' The Hours at the Met

Joyce DiDonato (Virginia Woolf) © Evan Zimmerman | Met Opera
Is it possible to have a minor success on every level? Kevin Puts' The Hours underwhelms in its world premiere production at the Metropolitan Opera. 
***11
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Maltman’s Iago the driving force in tepid Otello revival

The Royal Opera's revival of Keith Warner's staging feels underbaked, although interest is largely focused on the pit as the latest contender to take over from Antonio Pappano as Music Director is auditioned.
***11
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