Performer: Cappella Mediterranea

Leonardo García-Alarcón's exhumation of Bembo's work proves a winner, in a hyper-quirky staging by Netia Jones with Julie Fuchs as the pick of the fine singers.

Rameau’s Castor et Pollux returns to the stage in a new production that brings together Baroque repertoire and contemporary theatrical aesthetics, conducted by Leonardo García Alarcón and performed by Cappella Mediterranea with an international cast.

In the intimate splendour of the Margravial Opera House, Bayreuth Baroque revives Cavalli’s Pompeo Magno with a riot of colors, eight masked countertenors and a Tiepolo-like air of playful chaos.

The Grand Théâtre de Genève presents a new production of Mozart’s opera seria where the focus is all on dancing and rope twirling. Nevertheless, a good cast, led by Federica Lombardi as Elettra, manages to shine through.

Extraordinary singing and acting from Mariana Flores stands out in a joyous concert performance of one of the first operas ever written.

In the midst of a devastating year for the country, young Venezuelan violinist Pablo Agudo López talks about finding crucial links between European Baroque music and the traditional music of Latin America.

Thomas Leininger’s Baroque-inspired children’s opera at Geneva’s La Cité Bleue is a unique stylistic departure, which asks the essential question: what happened to the dinosaurs left off Noah’s Ark?

Ambronay’s support for young ensembles in Early Music continues with Sustainable EEEMERGING, a new scheme to help groups get on a sure professional footing – and decarbonise too.