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GenevaLes Indes galantes - De la voix des âmes
Rameau: Les Indes galantes
Thibaut Lenaerts; Bintou Dembélé; Structure Rualité; Charlotte Coffinet; Benjamin Nesme; Chœur de chambre de Namur; Noémie N'Diaye
GenevaSeasons
Unknown, Purcell, Handel, The Beatles, ABBA
Quito Gato; Fabrice Murgia; Giacinto Caponio; Maxime Glaude; Emilie Brassier
GenevaArcadelt
Unknown, Arcadelt
Leonardo García-Alarcón; Benedetta Zanotto; Sofie Garcia; William Shelton; Valerio Contaldo
ÁmsterdamBach's Christmas Oratorio with the Netherlands Chamber Choir and Cappella Mediterranea
Bach: Oratorio de Navidad (Weihnachtsoratorium), BWV248
Leonardo García-Alarcón; Nederlands Kamerkoor; Cappella Mediterranea; Sophie Junker; Christopher Lowrey
The HagueWeihnachtsoratorium
Bach: Oratorio de Navidad (Weihnachtsoratorium), BWV248
Leonardo García-Alarcón; Nederlands Kamerkoor; Cappella Mediterranea; Sophie Junker; Christopher Lowrey
GenevaCarmina Latina
de Bocanegra, Victoria, Fernández, de Torrejón y Velasco, Valls, de Araujo, Correa de Arauxo, Romero, el Vell, de Salazar
Leonardo García-Alarcón; Mariana Flores; Leandro Marziotte; Valerio Contaldo; Matteo Bellotto
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García-Alarcón y Bintou Dembélé: una bella metáfora
Una interesantísima propuesta de Leonardo García-Alarcón junto con la coreógrafa francesa Bintou Dembélé lleva la apolínea música de Rameau al escenario del Teatro Real.
Leonardo García-Alarcón tutoie l'éternité au Festival d’Ambronay
De Luigi Rossi à Giovanni Giorgi, en passant par Alessandro Scarlatti et Gregorio Allegri, le chef de la Cappella Mediterranea tisse un programme lumineux qui pousse les curseurs toujours plus loin.
Flûte ! García-Alarcón et Cogitore ratent l'ouverture à Aix
Le tandem qui avait tant réussi ses Indes galantes à Bastille se prend les pieds dans le tapis d'un projet à la fois trop austère musicalement et bâclé sur le plan du projet scénique.
Antonia Bembo’s Ercole amante wins hearts at the Opéra de Paris
Leonardo García-Alarcón's exhumation of Bembo's work proves a winner, in a hyper-quirky staging by Netia Jones with Julie Fuchs as the pick of the fine singers.
Castor et Pollux in Geneva: among the stars, with shadows
Rameau’s Castor et Pollux returns to the stage in a new production that brings together Baroque repertoire and contemporary theatrical aesthetics, conducted by Leonardo García Alarcón and performed by Cappella Mediterranea with an international cast.
Les Indes galantes at the Teatro alla Scala: Love and Thunder
Leonardo Garcia-Alarcón leads a crisp, charismatic account of Rameau's Les Indes galantes, where a superb cast shines and the Cappella Mediterranea thoroughly convinces.
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ParísLes Indes galantes
Rameau: Les Indes galantes
Leonardo García-Alarcón; Clément Cogitore; Opéra national de Paris; Alban Ho Van; Tim Van Steenbergen; Sylvain Verdet; Cappella Mediterranea
ParísEliogabalo
Cavalli: Eliogabalo
Leonardo García-Alarcón; Thomas Jolly; Opéra national de Paris; Thibaut Fack; Gareth Pugh; Antoine Travert; Cappella Mediterranea
Aix-en-ProvenceDie ZauberflöteNueva producción
Mozart: La flauta mágica (Die Zauberflöte)
Leonardo García-Alarcón; Clément Cogitore; Festival d'Aix-en-Provence; Alban Ho Van; Wojciech Dziedzic; Sylvain Verdet; Cappella Mediterranea
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Impertinence! Making Baroque music the Latin American way
In the midst of a devastating year for the country, young Venezuelan violinist Pablo Agudo López talks about finding crucial links between European Baroque music and the traditional music of Latin America.
Dinosaurs of the Baroque: discovering Les Dinos et l’Arche
Thomas Leininger’s Baroque-inspired children’s opera at Geneva’s La Cité Bleue is a unique stylistic departure, which asks the essential question: what happened to the dinosaurs left off Noah’s Ark?
Sustained efforts: Ambronay’s support for young ensembles
Ambronay’s support for young ensembles in Early Music continues with Sustainable EEEMERGING, a new scheme to help groups get on a sure professional footing – and decarbonise too.