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Performer: Cécile Trémolières

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BrusselsRoméo et Juliette

© Belga_Associated Press
Gounod: Roméo et Juliette
Valentina Peleggi; Julia Burbach; La Monnaie | De Munt; Cécile Trémolières; Fabrice Kebour; La Monnaie Symphony Orchestra

CardiffThe Anonymous Lover

Welsh National Opera
Chevalier de Saint-George: L'Amant anonyme
Frederick Brown; Omar Elerian; Welsh National Opera; Cécile Trémolières; Welsh National Opera Orchestra; Nardus Williams

SouthamptonThe Anonymous Lover

Welsh National Opera
Chevalier de Saint-George: L'Amant anonyme
Frederick Brown; Omar Elerian; Welsh National Opera; Cécile Trémolières; Welsh National Opera Orchestra; Nardus Williams

MoldThe Anonymous Lover

Welsh National Opera
Chevalier de Saint-George: L'Amant anonyme
Frederick Brown; Omar Elerian; Welsh National Opera; Cécile Trémolières; Welsh National Opera Orchestra; Nardus Williams

BangorThe Anonymous Lover

Welsh National Opera
Chevalier de Saint-George: L'Amant anonyme
Frederick Brown; Omar Elerian; Welsh National Opera; Cécile Trémolières; Welsh National Opera Orchestra; Nardus Williams
Latest reviewsSee more...

Time on her side: fairytale meets feminism in Tom Coult’s Violet

Anna Dennis (Violet) © Marc Brenner
A top notch ensemble brings Coult’s first opera luminously to life at the Buxton International Festival, finding renewed relevance in the post-pandemic era.
****1
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An imaginative, psychological take on Catalani's Edmea in Wexford

A journey through the subconscious of the main protagonist Edmea, with Anne-Sophie Duprels as the eponymous heroine.
***11
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Tragedy undermined at Wilton's

Paring the action down to just four singers, La Tragédie de Carmen is the perfect vehicle and venue for a handful of the Royal Opera's Jette Parker Young Artists to strut their stuff.
**111
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Paper lanterns and origami wings

A Madama Butterfly from beyond the grave? What would Julia Burbach's concept add to the familiar thread of Puccini's opera? 
****1
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La nuit d'Orlando au musée du Châtelet, par les Talens Lyriques

Orlando au Théâtre du Châtelet © Thomas Amouroux
Si la mise en scène de Jeanne Desoubeaux transpose l'opéra de Haendel avec plus ou moins de bonheur, la distribution et la fosse réservent de belles émotions.
***11
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