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RomeHandel: Theodora

Handel: Theodora
English Baroque Soloists; Christophe Rousset; Monteverdi Choir; Marie Lys; Alice Coote; Iestyn Davies
OxfordMonteverdi Choir and Orchestras: Handel’s Theodora

Handel: Theodora
English Baroque Soloists; Christophe Rousset; Marie Lys; Iestyn Davies; Alice Coote; Guy Cutting
ToulouseStabat Mater

Leo, Ferrandini, Pergolesi
Les Talens Lyriques; Christophe Rousset; Irina Sherazadishvili; Key'mon W. Murrah
New York CityOrchestra of St. Luke’s: Mozart's Requiem

Schubert, Mozart
Orchestra of St Luke's; Christophe Rousset; Liv Redpath; Jamie Barton; Andrew Staples; Ryan Speedo Green
Boulogne-BillancourtThe Four Seasons

Vivaldi, Rebel
Les Talens Lyriques; Christophe Rousset; Gilone Gaubert-Jacques; Grégoire Pont
LondonLes Talens Lyriques

Charpentier, Couperin
Les Talens Lyriques; Christophe Rousset; Michèle Bréant; Marie Lys; Atsushi Sakai
Latest reviewsSee more...
Teenage Mozart’s Mitridate a great success at La Scala

Christophe Rousset leads Les Talens Lyriques and a stellar cast in a superb rendition of Mozart’s first opera seria.
A forgotten meta-opera at La Scala: Gassmann’s L’opera seria

Christophe Rousset leads a great cast and an even greater orchestra in Gassmann’s 1769 rarity in Laurent Pelly’s visually striking, but oddly subdued, take on a comedy that thrives on chaos.
Fine Bach cantatas from Paul Figuier at the Festival d’Ambronay

Young countertenor Figuier gives an accomplished vocal performance, sometimes overpowered by the energy of Rousset and Les Talens Lyriques. Oboist Gilles Vanssons steals the show.
Jephtha: Handel's last English oratorio at the Halle Handel Festival

Handel's last English oratorio Jephtha is beautifully performed by Christophe Rousset and Les Talens Lyriques in Halle, although the drama is a bit slow off the mark.
Not quite a premiere, not quite a success: Salieri’s Kublai Khan

Martin G Berger exhaustively reworks the story and the libretto of Salieri's Cublai, gran kan de' Tartari and throws the kitchen sink at this new production, but not everything lands well.
Unhappy ever after: Gluck's Armide returns to Paris

Excellent performances and stage direction make a good case for an opera that's on the slow side dramatically.
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François Couperin zum 350. Geburtstag
Wie auch bei der Orgel kommt Couperins Namenszusatz nicht von ungefähr: Le Grand!
