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ToulouseStabat Mater
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Leo, Ferrandini, Pergolesi
Les Talens Lyriques; Christophe Rousset; Irina Sherazadishvili; Key'mon W. Murrah
Boulogne-BillancourtThe Four Seasons
Vivaldi, Rebel
Les Talens Lyriques; Christophe Rousset; Gilone Gaubert-Jacques; Grégoire Pont
ParisHippolyte et Aricie
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Rameau: Hippolyte et Aricie
Christophe Rousset; Les Talens Lyriques; Chœur de chambre de Namur; Reinoud Van Mechelen; Marie Lys
LondonLes Talens Lyriques: Rameau's Hippolyte et Aricie
Rameau: Hippolyte et Aricie
Christophe Rousset; Les Talens Lyriques; Chœur de chambre de Namur; Reinoud Van Mechelen; Marie Lys
ParisRoméo et JulietteConcert performance
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Steibelt: Roméo et Juliette
Christophe Rousset; Les Talens Lyriques; Flemish Radio Choir; Mélissa Petit; Cyrille Dubois
FlorenceRarità mozartiane
Mozart
Orchestra del Maggio Musicale Fiorentino; Christophe Rousset; Marie-Ève Munger; Beth Taylor; Sebastian Kohlhepp; Luca Tittoto
Latest reviewsSee more...
Teenage Mozart’s Mitridate a great success at La Scala
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Christophe Rousset leads Les Talens Lyriques and a stellar cast in a superb rendition of Mozart’s first opera seria.
A forgotten meta-opera at La Scala: Gassmann’s L’opera seria
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Christophe Rousset leads a great cast and an even greater orchestra in Gassmann’s 1769 rarity in Laurent Pelly’s visually striking, but oddly subdued, take on a comedy that thrives on chaos.
Fine Bach cantatas from Paul Figuier at the Festival d’Ambronay
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Young countertenor Figuier gives an accomplished vocal performance, sometimes overpowered by the energy of Rousset and Les Talens Lyriques. Oboist Gilles Vanssons steals the show.
Jephtha: Handel's last English oratorio at the Halle Handel Festival
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Handel's last English oratorio Jephtha is beautifully performed by Christophe Rousset and Les Talens Lyriques in Halle, although the drama is a bit slow off the mark.
Not quite a premiere, not quite a success: Salieri’s Kublai Khan
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Martin G Berger exhaustively reworks the story and the libretto of Salieri's Cublai, gran kan de' Tartari and throws the kitchen sink at this new production, but not everything lands well.
Unhappy ever after: Gluck's Armide returns to Paris
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Excellent performances and stage direction make a good case for an opera that's on the slow side dramatically.
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François Couperin zum 350. Geburtstag
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