Performer: Corinne Winters

Jakub Hrůša leads the CSO in pedestrian Janáček and Rachmaninov, but Strauss's Four Last Songs and Wagner's Tristan excerpts send audiences home deeply touched.

An unusual double bill pairing of Puccini’s Suor Angelica and Dallapiccola’s Il prigioniero opens at the Teatro dell'Opera di Roma. 

Corinne Winters is phenomenal as the self-possessed Jenůfa in The Royal Opera's revival of Claus Guth's powerful staging. 

Jakub Hrůša and his Czech forces give an impressive account of a mass which with its ecclesiastical elements, yet pantheistic spirit and visceral energy points towards a more secular age.

Director Tatjana Gürbaca and Czech conductor Tomáš Netopil deliver a “Romantic” Kátya Kabanová from the Grand Théâtre de Genève at Brno’s Janáček Festival.

Richard Jones' setting is superb in its bare minimalism, but he pays great attention to all the psychological nuances in Janáček's opera. 

The leading US soprano talks about taking on one of opera’s most devastating roles, which she sings for the first time in Brno this autumn.

Corinne Winters talks about Zwischen territory – the range that lies between traditional soprano and mezzo – and takes us through the mechanics of singing. 

Corinne Winters shot to fame when she starred in Peter Konwitschny’s controversial staging of La traviata at ENO and it’s the character of Violetta which is the focus of our conversation.