Performer: Dmitri Hvorostovsky

Would a younger soprano taking the role of Tatyana blur Kasper Holten's "dancing doubles" vision of Eugene Onegin at the Royal Opera House?

Last night’s performance, the second after a serious casting face-lift held to that tradition, and was very well received despite its inherent flaws, thanks to some very fine singing.

A great deal of the audience were in the house for La traviata last night for the chance to see Diana Damrau and Dmitri Hvorostovsky. They will not have been disappointed: these were performances of the very highest quality by two very fine singers, with Francesco Demuro all but matching them.

At the cloakroom, it was already clear that this evening was not going to be standard fare at the Staatsoper. Russian was in the air, and Russians had bought their fair share of the tickets to this completely sold out event: wearing extravagant gowns, sporting elegant hairstyles and reserving bottles of champagne for the interval. There was plenty of Russian fare on the programme too.

Read our review of Willy Decker's production of Verdi's La Traviata in its 2012 broadcast from the Met Opera in New York.

I thought it ironic to hear people saying that the Met’s recent production of Two Boys was already outdated because of its ten-year-old subject: Internet chatrooms.