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Nostalgia and neurosis as Die tote Stadt returns to the Semperoper after nearly a century
In a score that can be a Technicolor wallow, Jurowski’s sure sense of dramatic pulse and balance, encompassed the brash dance rhythms, religious grandeur, vivid tone painting and the extremes of dissonance.
Rewriting Rimsky: a dismal Sadko in Ghent
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Rimsky-Korsakov’s opera is rarely performed outside Russia. Sadly, I doubt that Daniel Kramer’s staging for Opera Vlaanderen will win it many new friends.
A lacklustre Maid of Orleans in Geneva
The performance bids for musical purity, but ends up stripped of story and emotion as well.