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Parsifal in Augmented Reality at the Bayreuth Festival

Jay Scheib spices up the visual experience with digital content in his production of Parsifal. Sounds good. But is it?
Season finale: a disappointing ending to Bayreuth's Götterdämmerung
Despite many perceptive details, Bayreuth's new Ring culminates in a rather damp squib of an ending.
Olfactory and ocular obfuscation: The Nose in Hamburg
Kent Nagano and the forces of Staatsoper Hamburg launch their new season with a production of Shostakovich's very first opera in which the ears are beguiled but the eyes are not.
An immersive auto-da-fé: Konwitschny's Don Carlos sizzles
From stylised 16th-century dress to a 1970s sitcom ballet, Konwitschny's Staatsoper staging is full of brilliantly inventive touches, splendidly realised in this excellently sung revival.
Hamburg's Die Tote Stadt: excellent singing but muddled staging
Hamburg's revival of a 2015 production is a musical success, but the director's concepts are sometimes too dense to tell a straightforward story.
Are they all like that? Staatsoper Hamburg's new Così
Hamburg State Opera launches its new season with a visually overpowering but musically satisfying Così fan tutte.
