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AmsterdamBrahms’ Ein deutsches Requiem
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Brahms: Ein deutsches Requiem (A German Requiem), Op.45
Netherlands Radio Philharmonic Orchestra (Radio Filharmonisch Orkest); Giedrė Šlekytė; Netherlands Radio Choir (Groot Omroepkoor); Elsa Benoit; Raoul Steffani
MunichAlcinaNew production
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Handel: Alcina
Stefano Montanari; Johanna Wehner; Bavarian State Opera; Benjamin Schönecker; Ellen Hofmann; Bayerisches Staatsorchester; Saskia Kruse
BarcelonaLes Pêcheurs de perlesConcert performance
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Bizet: Les Pêcheurs de perles
Marc Minkowski; Gran Teatre del Liceu; Les Musiciens du Louvre; Chamber Chorus of the Palau de la Música Catalana; Florian Sempey; Pene Pati
MadridSinfónico 08 - Orquesta Nacional de España
Ives, Debussy
Orquesta Nacional de España; Pierre Bleuse; Jone Martínez; Elsa Benoit
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Semele at Dutch National Opera: myth, desire and fantasy
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Guth’s Semele turns myth into a contemporary domestic drama, where desire becomes obsession and illusion consumes reality. Handel’s music remains the true engine, driven by a thrilling, physically intense ensemble.
Emmanuelle Haïm and Handel triumph in Berlin
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Handel's oratorio Il trionfo del Tempo e del Disinganno receives its first-ever performance at Berlin's Philharmonie, proving that in the hands of Emmanuelle Haïm beauty can indeed defeat time.
Bright, bold, barking: Les Mamelles de Tirésias at Glyndebourne
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With Laurent Pelly directing, a very French evening sees a veritable feat of singing from Stéphanie d'Oustrac in La Voix humaine, followed by riotous surrealism in Les Mamelles de Tirésias.
Handel's Agrippina sparkles at the Barbican
The biting wit of Vincenzo Grimani's libretto is well served by some knockout arias and excellent performances from a strong cast and the matchless Il pomo d'oro.
Hailing from No-man’s land: Pelléas et Mélisande in Basel
Debussy’s Pelléas et Mélisande emerges from an almost transcendent realm and creates a languorous atmosphere, even if it leaves some questions unanswered and realities unexplored.
Pierre Audi’s new Parsifal grinds the gears in Munich
Instead of telling a story of spiritual enlightenment and ultimate redemption through faith, Pierre Audi's reading is bereft of mystery and magic.
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MunichLa FavoriteNew production
Donizetti: La Favorite
Karel Mark Chichon; Amélie Niermeyer; Bavarian State Opera; Alexander Müller-Elmau; Kirsten Dephoff; Bayerisches Staatsorchester; Bayerischer Staatsopernchor