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LondonRossini’s ‘Stabat mater’

Respighi, Rossini
BBC Symphony Orchestra; Nil Venditti; Federica Lombardi; Chiara Amarù; René Barbera; Nicola Ulivieri
AmsterdamSimon BoccanegraNew production
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Verdi: Simon Boccanegra
Fabio Luisi; Jetske Mijnssen; Dutch National Opera; Étienne Pluss; Hannah Clark; Valerio Tiberi; Royal Concertgebouw Orchestra
New York CityCosì fan tutte

Mozart: Così fan tutte
Nimrod David Pfeffer; Phelim McDermott; Metropolitan Opera; Tom Pye; Laura Hopkins; Paule Constable; The Metropolitan Opera Orchestra
New York CityLa bohème

Puccini: La bohème
Marco Armiliato; Franco Zeffirelli; Metropolitan Opera; Peter J. Hall; Gil Wechsler; The Metropolitan Opera Orchestra
ViennaDon Giovanni

Mozart: Don Giovanni
Tomáš Hanus; Barrie Kosky; Vienna State Opera; Katrin Lea Tag; Franck Evin; Orchestra of the Vienna State Opera
ViennaLa traviata

Verdi: La traviata
Francesco Ivan Ciampa; Simon Stone; Vienna State Opera; Robert Cousins; Alice Babidge; James Farncombe; Orchestra of the Vienna State Opera
Latest reviewsSee more...
Jetske Mijnssen’s Boccanegra a coup for DNO season finale
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Everything about this production is fresh and wonderful.
At half mast: Simon Boccanegra revived in Vienna
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Marco Armiliato’s conducting thrills and Federica Lombardi's radiant Amelia stands out in the Wiener Staatsoper’s latest revival of Simon Boccanegra.
Ivo van Hove’s Don Giovanni makes a welcome reappearance at the Met
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Opera lovers’ favorite roué is back at the Met, with the charismatic Ryan Speedo Green taking on the title role.
As usual, Beethoven ushers out the BSO season at Tanglewood
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The season-ending performance of Beethoven's Ninth Symphony loses its intended conductor but remains enjoyable, if somewhat under-rehearsed.
Joana Mallwitz makes a radiant Met debut leading a vigorous Figaro
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A rising German conductor draws superb playing from the orchestra in the Met’s fifth revival of Richard Eyre’s witty 2014 production.
A light Marriage of Figaro makes the case for fun in Chicago
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Lyric Opera of Chicago revives its diverting and divisive 2015 original production by Barbara Gaines, who does it like a Shakespearean sex farce.
