Performer: Fernando Guimarães

Even without the costumes and choreography, Collegium 1704's presentation of Arsilda was enthralling.

Monteverdi’s Il ritorno d’Ulisse in patria is given the Pinchgut treatment, with an abstract staging complementing historically informed music-making under Erin Helyard.

In the Teatro Regio's production everything is according to the script, but the magic of the stage is absent. 

At the Concertgebouw in Amsterdam a performance of Michelangelo Falvetti’s recently unearthed gem Il diluvio universale was a joyful labour of love.

Christina Pluhar led ensemble L'Arpeggiata in a concert of delightful sacred music from the Habsburg court chapel in Vienna.

Quatrième opera de Vivaldi, Arsilda regina di Ponto revit dans un spectacle international et dans une mise en scène néoclassique qui donne aux personnages une réelle profondeur psychologique. A découvrir de toute urgence pendant l’itinérance de l’œuvre !