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Performer: Franz Welser-Möst

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ClevelandNew beginnings

Strauss R., Tower, Prokofiev
The Cleveland Orchestra; Franz Welser-Möst; Alisa Weilerstein

ClevelandWalker and Korngold

Walker, Korngold
The Cleveland Orchestra; Franz Welser-Möst

StockholmAx plays Mozart

Stockholms Konserthusstiftelse
Mozart, Schubert
Royal Stockholm Philharmonic Orchestra; Franz Welser-Möst; Emanuel Ax
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MunichFranz Welser-Möst and Igor Levit

Beethoven, Mozart
Bavarian Radio Symphony Orchestra; Franz Welser-Möst; Igor Levit

ClevelandIn Focus: Sonata & Serenade

Schubert, Mozart
The Cleveland Orchestra; Franz Welser-Möst; Dame Mitsuko Uchida

ClevelandIn Focus: Order & Disorder

Mozart, Berg
The Cleveland Orchestra; Franz Welser-Möst; Afendi Yusuf; Stephen Rose; Jeanne Preucil Rose; Lynne Ramsey
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Cleveland Orchestra closes inaugural In Focus season

As with so many performances this season, the Cleveland strings took front and center in works of Grieg and Korngold.
****1
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The Cleveland Orchestra illuminates contrasts in Dvořák and Corigliano

Franz Welser-Möst conducts The Cleveland Orchestra in works by Dvořák and Corigliano, the latter featuring principal percussionist Marc Damoulakis.
***11
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From solo flute to thunderous pipe organ in Cleveland

TCO principal flute Joshua Smith stood out in seminal works for solo flute by Debussy and Takemitsu. Organist Paul Jacobs was a capable soloist in Poulenc’s concerto, while Franz Welser-Möst led imaginatively orchestrated segments of Prokofiev’s Visions fugitives.
***11
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Emotionally charged Shostakovich and Messiaen in Cleveland

The Cleveland Orchestra offered stark contrasts of feeling in Shostakovich’s bleak Chamber Symphony and the luminous closing movement of Messiaen’s Éclairs sur l’au-delà.
****1
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Shchedrin’s Carmen ballet played with phantasmagorical brilliance

The Cleveland Orchestra string and percussion sections intensify the multi-hued quirkiness of Shchedrin’s 1967 musical love letter to his ballerina wife.
****1
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Emanuel Ax and The Cleveland Orchestra celebrate Haydn and Bartók

Music of Haydn and Bartók made for a brief but contrasting Cleveland Orchestra program, the former bringing back regular guest Emanuel Ax.
***11
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