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Performer: Graziano Gregori

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Falstaff in Turin: elegant, but with little mass

Renzetti's traditional rendition does not reveal yet unprecedented details of a score that is the summation of Verdi's mastery and his last work – his third based on Shakespeare.
***11
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A triumphant new Trovatore in Vienna

Vienna stages an all-star new production of Verdi's classic, with sublime singing in Daniele Abbado's Spanish Civil War setting.
*****
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Daniele Abbado’s disappointing Don Carlo in Vienna

Daniele’s Abbado’s black-box production of Don Carlo augurs a crash landing with no survivors.
***11
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Exciting singing rescues problematic Don Carlo

Last night’s performance, the second after a serious casting face-lift held to that tradition, and was very well received despite its inherent flaws, thanks to some very fine singing.
***11
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Il trovatore an der Wiener Staatsoper: Sparflamme trifft Pyrotechnik

Clémentine Margaine (Azucena) und Vittorio Grigolo (Manrico) © Wiener Staatsoper | Michael Pöhn
Orchester und Inszenierung köcheln auf Sparflamme, aber immerhin liefern einige gesangliche Leistungen Grund für Euphorie an der Staatsoper. 
***11
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Il trovatore an der Wiener Staatsoper bietet Luft nach oben

Yusif Eyvazov und Monika Bohinec bringen nur wenige Glanzpunkte in eine ansonsten staubtrockene Inszenierung.
**111
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