Live EventsSee more...
StockholmHardenberger in Tanaka’s trumpet concerto

Bartók, Tanaka, Saint-Saëns
Swedish Radio Symphony Orchestra; Emilia Hoving; Håkan Hardenberger
StockholmComposer Festival with Betsy Jolas – True Stories
Jolas, Roussel, Ravel
Royal Stockholm Philharmonic Orchestra; Ryan Bancroft; Håkan Hardenberger; Roger Muraro
EdinburghBeethoven Deconstructed

Hummel, Beethoven, Dean, Gruber
Scottish Chamber Orchestra; Håkan Hardenberger
GlasgowBeethoven Deconstructed

Hummel, Beethoven, Dean, Gruber
Scottish Chamber Orchestra; Håkan Hardenberger
SydneyHåkan Hardenberger & the Sydney Symphony

Terracini, Schuller, Bernstein
Sydney Symphony Orchestra; Håkan Hardenberger
Newcastle NSWHåkan Hardenberger & the Sydney Symphony

Terracini, Schuller, Bernstein
Sydney Symphony Orchestra; Håkan Hardenberger
Latest reviewsSee more...
A perfect landing with Harding and the Mahler Chamber Orchestra

Håkan Hardenberger joins the Mahler Chamber Orchestra and Daniel Harding for a thrilling night concluding with a breathtaking, high-energy Beethoven Four.
Spotlight on the trumpet: Håkan Hardenberger and the BBC Phil

John Storgårds conducts the BBC Philharmonic in two colourful works for large orchestra, while Håkan Hardenberger demonstrates the versatility of the trumpet in two works, one familiar, the other not.
Hardenberger shines; the LSOs Widmann and Mahler disappoint

Håkan Hardenberger is a phenomenon of the trumpet, but long stretches of Widmann'sTowards Paradise fail to impress, as does a rather tame Mahler 5 from Daniel Harding and the LSO.
Tomasi's restored Trumpet Concerto headlines Indianapolis program
The rediscovered version of the Tomasi Trumpet Concerto from Håkan Hardenberger, Fabien Gabel and the Indianapolis Symphony shares the limelight with an authoritative Indy premiere of Florent Schmitt's La Tragédie de Salomé.
Rattle and the LSO turn the world upside down
Expect the unexpected when Sir Simon Rattle conducts the LSO. There will always be something that works, and sharpens your musical sensibilities, and something that doesn't. Ligeti, Wagner and Jolas vie for attention with Brahms.
Songs of the self: Hardenberger, Nelsons and the Boston Symphony
Widmann’s maze keeps the listener off balance, constantly surprising and tricking the ears as a labyrinth constantly surprises and tricks the eyes.
