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Performer: Hasmik Torosyan

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TokyoDon Pasquale

Roberto Scandiuzzi (Don Pasquale) © Masahiko Terashi | New National Theatre Tokyo
Donizetti: Don Pasquale
Corrado Rovaris; Stefano Vizioli; New National Theatre; Susanna Rossi Jost; Roberta Guidi di Bagno; Roberto Scandiuzzi; Hasmik Torosyan

ParisPetite Messe solennelle

Rossini: Petite Messe Solennelle
Bart Van Reyn; Hasmik Torosyan; Anthea Pichanick; Cyrille Dubois; Daniele Antonangeli

BrusselsPetite Messe solennelle

Rossini: Petite Messe Solennelle
Bart Van Reyn; Hasmik Torosyan; Anthea Pichanick; Cyrille Dubois; Daniele Antonangeli

TurinLa bohème

Puccini: La bohème
Daniel Oren; Paolo Gavazzeni; Teatro Regio di Torino; Adolf Hohenstein; Fabio Sartori; Valentin Dytyuk

NaplesL'Amour des trois oranges (L'amore delle tre melarance)

Prokofiev: The Love for Three Oranges
Juraj Valčuha; Alessandro Talevi; San Carlo Theatre; Justin Arienti; Manuel Pedretti; Goran Jurić; Bogdan Volkov
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An elegant and vocally fine Don Pasquale in Tokyo

Roberto Scandiuzzi (Don Pasquale) © Masahiko Terashi | New National Theatre Tokyo
New National Theatre Tokyo's new staging of Donizetti's jolly Don Pasquale, in Stefano Vizioli's classic production, featured some sparkling vocal performances from a fine cast.
****1
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The Pearl Fishers: Turin opens its operatic season

Pierre Doyen (Zurga) and Kévin Amiel (Nadir) © Edoardo Piva | Teatro Regio Torino
The staging sways between tackiness and naivety, like those old Christmas cards with sequins glued to the edges of the figures.
**111
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La rondine: a flimsy work in pastel colours in Florence

Ekaterina Bakanova (Magda) © Michele Borzoni | Terraproject
Commissioned as an operetta, La rondine became a true opera instead, and was presented in 1917 in Montecarlo at the high point of WW1.
***11
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Rossini's Turk given in memory of Alberto Zedda

Hasmik Torosyan (Fiorilla) and Simone Alberghini (Selim) © Rocco Casaluci
In Livermore's staging the scheme becomes meta-cinematographic: the poet Prosdocimus here has Marcello Mastroianni's features in Fellini's film 8 ½.
***11
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Understated elegance: Robert Carsen's sublime Bohème

© Annemie Augustijns
Robert Carsen's understated elegance on stage counterbalances Puccini’s highly charged melodrama. 
****1
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