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Performer: Ingela Brimberg

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MadridWagner, Berg, Bartók

Wagner, Berg, Bartók
Wagner, Berg, Bartók
Orquesta Sinfónica de RTVE; Francois López-Ferrer; Coro de RTVE; Ingela Brimberg
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MadridAVAILABLE IN SPAIN ONLY: Der fliegende Holländer (El holandés errante)

AVAILABLE IN SPAIN ONLY: Der fliegende Holländer (El holandés errante)
Wagner: Der fliegende Holländer (The Flying Dutchman)
Pablo Heras-Casado; Àlex Ollé; Teatro Real; Alfons Flores; Josep Abril; Evgeny Nikitin; Ingela Brimberg
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Hagen: Part 1 of a “Second Generation” Ring at the Theater an der Wien

Samuel Youn (Hagen) and Martin Winkler (Alberich) © Herwig Prammer
Hagen, the first chapter in the Theater an der Wien's reimagining of The Ring, features music from Das Rhinegold and Götterdämmerung woven seamlessly together, telling the story from the perspective of Hagen, son of Nibelung dwarf, Alberich.
***11
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Trinks’ cut and paste Siegfried far from idyllic

Marcel Beekman (Mime) and Daniel Brenna (Siegfried) © Herwig Prammer
Tatjana Gürbaca’s whole scale tampering with Wagner’s Siegfried had so many flashbacks and flashforwards there should have been a warning for photosensitive members of the audience.  
**111
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Full immersion: Spuck's gloomy Dutchman in Berlin

Samuel Youn (The Dutchman) © Thomas Jauk
Eric’s dream of a love story with no redemption in Christian Spuck's new production of Der fliegende Holländer at Deutsche Oper Berlin. 
****1
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Fiona Shaw brings theatre into the opera house

What makes this production of The Rape of Lucretia stand out is the singers’ acting. It’s immediate, it’s integrated into the singing, and it’s better than anything I’ve seen in any opera production before. 
*****
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Alles Leben ist Leiden: Tristan und Isolde an der Oper Köln

Peter Seiffert (Tristan) und Ingela Brimberg (Isolde) © Bernd Uhlig
Die Neuinszenierung Wagners Musikdrama steht in Patrick Kinmonths Inszenierung ganz im Zeichen der Philosophie Schopenhauers.
****1
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La Monnaie : Lohengrin, année zéro

© Baus | La Monnaie De Munt
Si la nouvelle mise en scène d'Olivier Py s'appuie sur des postulats discutables, la réalistion est néanmoins très convaincante. 
****1
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