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Performer: Ingela Brimberg

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MadridDie Walküre

Die Walküre
Wagner: Die Walküre
Pablo Heras-Casado; Robert Carsen; Teatro Real; Patrick Kinmonth; Stuart Skelton; Christopher Ventris

BerlinDer fliegende Holländer

Der fliegende Holländer
Wagner: Der fliegende Holländer (The Flying Dutchman)
Ivan Repušić; Christian Spuck; Deutsche Oper Berlin; Rufus Didwiszus; Emma Ryott; Noel Bouley; Michael Volle

CologneTristan und IsoldeNew production

Wagner: Tristan und Isolde
François-Xavier Roth; Patrick Kinmonth; Oper Köln; Darko Petrovic; Annina von Pfuel; Ingela Brimberg; Peter Seiffert

HelsinkiAutumn Sonata

Fagerlund: Autumn Sonata
Kurt Kopecky; Stéphane Braunschweig; Finnish National Opera; Thibault Vancraenenbroeck; Anne Sofie von Otter; Ingela Brimberg
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Hagen: Part 1 of a “Second Generation” Ring at the Theater an der Wien

Samuel Youn (Hagen) and Martin Winkler (Alberich) © Herwig Prammer
Hagen, the first chapter in the Theater an der Wien's reimagining of The Ring, features music from Das Rhinegold and Götterdämmerung woven seamlessly together, telling the story from the perspective of Hagen, son of Nibelung dwarf, Alberich.
***11
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Trinks’ cut and paste Siegfried far from idyllic

Marcel Beekman (Mime) and Daniel Brenna (Siegfried) © Herwig Prammer
Tatjana Gürbaca’s whole scale tampering with Wagner’s Siegfried had so many flashbacks and flashforwards there should have been a warning for photosensitive members of the audience.  
**111
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Full immersion: Spuck's gloomy Dutchman in Berlin

Samuel Youn (The Dutchman) © Thomas Jauk
Eric’s dream of a love story with no redemption in Christian Spuck's new production of Der fliegende Holländer at Deutsche Oper Berlin. 
****1
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Fiona Shaw brings theatre into the opera house

What makes this production of The Rape of Lucretia stand out is the singers’ acting. It’s immediate, it’s integrated into the singing, and it’s better than anything I’ve seen in any opera production before. 
*****
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La Monnaie : Lohengrin, année zéro

© Baus | La Monnaie De Munt
Si la nouvelle mise en scène d'Olivier Py s'appuie sur des postulats discutables, la réalistion est néanmoins très convaincante. 
****1
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