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Shock and awe in Paris with Bernstein's A Quiet Place
In the expert hands of both director Warlikowski and conductor Kent Nagano, the sequel to Bernstein's Trouble in Tahiti proves to be even darker and more dramatic.
Clockwork precision and sparkle in Dutoit in LA
Guest conductor Charles Dutoit returned to Los Angeles for a program devoted to one of the composers he is most closely associated with.
Comedy and drama in Auber's Fra Diavolo: a balance well obtained at Opera di Roma
The Mediterranean setting of Auber's work is recreated by director Giorgio Barberio Corsetti with its intriguing teatro-immagine, where video projections and virtual reality are predominant.
Carsen's Carmélites returns to Amsterdam
After showing in 13 theatres around the world, Robert Carsen’s Dialogues des carmélites returns again to Amsterdam, where it was premiered in 1997. Almost 20 years on, its finale remains a shattering theatrical experience.
Liebesdreieck im Niemandsland: Bizets Carmen am Opernhaus Zürich

Andreas Homoki macht in seiner Inszenierung einen grossen Bogen um alles Spanische. Die Hauptdarstellerin Marina Viotti will keine Femme fatale sein. Doch Gianandrea Noseda lässt die klanglichen Trümpfe der Partitur ausspielen.
Le Lakmé japonisant de Laurent Pelly à l’Opéra de Nice

Avec un plateau vocal entièrement renouvelé et sous la direction idéale de Jacques Lacombe, la production inaugurée l'an dernier à l'Opéra-Comique remporte un franc succès.
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Bizet: Carmen
Sir Mark Elder; Calixto Bieito; Opéra national de Paris; Alfons Flores; Mercè Paloma; Alberto Rodríguez Vega; Orchestre de l'Opéra national de Paris
