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Performer: Jérôme Kaplan

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ChicagoThe Sleeping Beauty – Joffrey Ballet

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Tchaikovsky: The Sleeping Beauty
Marius Petipa; Christopher Wheeldon; Joffrey Ballet; Jérôme Kaplan
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Dutch National Ballet's reimagined La Bayadère triumphs

Anna Tsygankova and Giorgi Potskhishvili in Dutch National Ballet's La Bayadère © Altin Kaftira
Dutch National Ballet's new production of La Bayadère does away with the ballet’s problematic gestures and movements, allowing the choreography to truly shine.
****1
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Les Ballets de Monte-Carlo: Cendrillon through a psychological lens

Les Ballets de Monte-Carlo in Jean-Christophe Maillot's Cendrillon © Alice Blangero
A deeply psychological version of the fairytale, Jean-Christophe Maillot's Cendrillon provides ample opportunities for the whole cast to delve into their characters and rise to the technical challenges.
****1
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Les Ballets de Monte-Carlo’s Ma Bayadère is a stunning reinvention

Les Ballets de Monte-Carlo in Jean-Christophe Maillot's Ma Bayadère © Hans Gerritsen
Splendid and impeccable, endowed with striking virtuosity, the corps de ballet functions both as choir and living scenography, accompanying and sustaining the protagonists. Ma Bayadère in Monte-Carlo is spectacular.
****1
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ABT's Theme and Variations delivers star quality performances

Chloe Misseldine and Joe Won Ann in Have We Met?! by Juliano Nuñes © Steven Pisano
American Ballet Theatre presented a well balanced program of Nuñes, Ratmansky and Balanchine which produced some revelatory performances.
*****
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Queensland Ballet: Behind the ‘rags to riches’ story of Coco Chanel

Neneka Yoshida as Coco Chanel, Patricio Revé as Boy Capel, Coco Chanel: the Life of a Fashion Icon © David Kelly
Coco Chanel: the Life of a Fashion Icon is a visually beautiful work about an unscrupulous character and a great addition to Queensland Ballet's repertoire.
****1
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Northern Ballet's The Great Gatsby unfolds at breakneck pace

Joseph Taylor and Sean Bates in David Nixon's The Great Gatsby © Emily Nuttall

Those unfamiliar with the great American story will need to read the extensive synopsis in the programme to keep up with the whizz-bang comings and goings on stage!

***11
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