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The HaguePhilip Glass - Waiting for the Barbarians
Glass: Waiting for the Barbarians
Alice Farnham; Guy Weizman; De Nederlandse Reisopera; Ascon de Nijs; Elke von Sivers; Maarten van Rossem; Noord Nederlands Orkest
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Weinberg’s The Passenger at Dutch National Opera
Tobias Kratzer's 2024 Munich production makes its way to Amsterdam, proving that Weinberg's opera has the power to transfix.
Sacred and profane in Guildhall School's Respighi double bill
From the spiritual conversion of a Medieval sex-worker, to the Sleeping Beauty tale reimagined, Guildhall stages a Respighi double-bill.
Holst and Weir operas from the Guildhall School of Music
Two accomplished performances bring emotional depth only intermittently, but show ample security of singing and playing.
Picture perfect: a fine triple bill from the Guildhall School
Massenet, Smyth and Rota are unlikely bedfellows, but in the Guildhall School's Autumn production, a one-act opera by each contributed to a most convincing triple bill, all set around the La Scala Picturehouse in the 1920s.
Überragende Frau ohne Schatten in Amsterdam
Marc Albrechts und Katie Mitchell machen Richard Strauss‘ Märchenoper zum rasant-schockenden Sci-Fi-Thriller.