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Waterworld: firm musical foundations in Pelléas et Mélisande
Marco Arturo Marelli's 2012 production lacks mystery but puts a fine Golaud centre stage, while Esa-Pekka Salonen ensures superior musical values in the pit.
Satan, sex, blood and redemption: Faust in Finland
Auguin conducted as if he really believes in this evergreen work, which was wonderful to hear in the composer’s rather overlooked anniversary year.
Butterfly's castle: Puccini soars at Savonlinna
There is a reason that Butterfly has the highest blub factor in the repertory, for it is not only for Cio-Cio-San that we weep, but for ourselves.