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Kate Lindsey, Mezzo-soprano

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Kate Lindsey on Così fan tutte in Aix

Kate Lindsey © Rosetta Greek
For mezzo-sopranos, playing boys comes with the job. Kate Lindsey is no different, but it's the –very feminine – role of Dorabella we spend much time discussing. 
© Rosetta Greek
© Rosetta Greek
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LondonProms 29: The Warner Brothers Story

Arlen, Korngold, Loewe, North, Steiner, Styne
John Wilson Orchestra; John Wilson; Louise Dearman; Mikaela Bennett; Kate Lindsey; Matthew Ford

LondonProms 30: The Warner Brothers Story

Arlen, Korngold, Loewe, North, Steiner, Styne
John Wilson Orchestra; John Wilson; Louise Dearman; Mikaela Bennett; Kate Lindsey; Matthew Ford

ViennaAriadne auf Naxos

Strauss R.: Ariadne auf Naxos
Peter Schneider; Sven-Eric Bechtolf; Vienna State Opera; Rolf Glittenberg; Marianne Glittenberg; Adrianne Pieczonka; Hila Fahima

ViennaOrlandoWorld premiere

Neuwirth: Orlando
Matthias Pintscher; Karoline Gruber; Vienna State Opera; Roy Spahn; Kate Lindsey; Fiona Shaw; Eric Jurenas
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Cinders on the couch: Freudian Cendrillon at Glyndebourne

Danielle de Niese (Cendrillon) and Kate Lindsey (Prince Charming) © Richard Hubert Smith
Cinderella undergoes psychoanalysis on the Sussex Downs as Fiona Shaw's production is revived for the Glyndebourne Festival. 
****1
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Welser-Möst unveils a musically superb Ariadne auf Naxos

Tamara Wilson (Ariadne) and Andreas Schager (Bacchus) © Roger Mastroianni
Tamara Wilson was a top-notch Ariadne, supported by a strong cast, including Kate Lindsey as a passionate Composer, a thrilling Zerbinetta by Daniela Fally, and an unbeatable Bacchus in Andreas Schager.
****1
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Sacrifice to passion: L’incoronazione di Poppea in Salzburg

Kate Lindsey (Nerone) and Sonya Yoncheva (Poppea) © Salzburger Festspiele | Maarten Vanden Abeele
A wonderful cast conducted by William Christie in a new production of L’incoronazione di Poppea at the Salzburg Festival. 
****1
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Seriously funny: Glyndebourne's Rosenkavalier

Rachel Willis-Sørensen (The Marschallin) © Robert Workman | Glyndebourne Festival 2018
Strauss' mix of bedroom farce, comedy of manners and bittersweet musing about aging is acted and sung superbly in this revival of Richard Jones' production.
*****
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