Performer: Keso Dekker

Dutch National Ballet give an exemplary account of a quadruple bill comprised of the late Hans van Manen’s works. It’s a wonderful tribute to the great master choreographer.

Unlike Tiler Peck’s ballet, the stories of Odesa continue to live in your head.

Programming three choreographers who are always box office favourites is as sure fire a hit for Ballett am Rhein who debut this neoclassical triple bill featuring a selection of successes. 

Considering the very abrupt transition to dance-on-film that most companies are contending with today, Mahler, live chooses to examine the beginnings of this genre. 

Anna Tsygankova is clearly enjoying her part in Forsythe's Pas/Parts 2018, an exposé of the vocabulary of modern ballet.

A welcome return to London for America's oldest ballet company begins with a highly personal interpretation of Shostakovich in dance