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Performer: Kristian Bezuidenhout

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BerlinMark Padmore & Kristian Bezuidenhout

Beethoven, Schubert
Mark Padmore; Kristian Bezuidenhout

CologneLondon Symphony Orchestra in Köln

Schumann, Mendelssohn
London Symphony Orchestra; Sir John Eliot Gardiner; Isabelle Faust; Kristian Bezuidenhout

LondonGardiner's Schumann

Weber, Mendelssohn, Schumann
London Symphony Orchestra; Sir John Eliot Gardiner; Isabelle Faust; Kristian Bezuidenhout

New York CityChiaroscuro Quartet & Kristian Bezuidenhout

© Eva Vermandel/Marco Borggreve
Schubert, Mozart
Chiaroscuro Quartet; Alina Ibragimova; Pablo Hernán Benedí; Emilie Hörnlund

MunichLiederabend mit Anne Sofie von Otter

Liederabend mit Anne Sofie von Otter
Anne Sofie von Otter; Kristian Bezuidenhout
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A superb summer evening at Cleveland’s Severance Hall

Kristian Bezuidenhout © Marco Borggreve
Jonathan Cohen led The Cleveland Orchestra in sparkling performances of works by Handel and Mozart, with pianist Kristian Bezuidenhout as a brilliant soloist in Haydn.
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A meeting of masterly musical minds

Richard Egarr © Marco Borggreve
Egarr, Bezuidenhout and the MSO are the perfect match in this celebration of Mozart's wit and genius, delivering historically grounded and exhilarating interpretations of treasured favourites.
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Intimate Schumann, delightful Mozart: ACO collaborates with Kristian Bezuidenhout

Richard Tognetti © Paul Henderson
One of the reasons why the programmes of the Australian Chamber Orchestra are both challenging and inspiring is because of the ensemble’s always interesting and thought-provoking approach to repertoire.
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A poised and pretty outing of a prodigy's exercises

Kristian Bezuidenhout © Marco Borggreve
Mozart's “pasticcio concertos”, composed at the remarkable age of 11, may lack integral vibrancy and brilliance, but are brought to life by an exuberant Bezuidenhout
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A delicate balance to strike

Kristian Bezuidenhout © Marco Borggreve
An evening at the Wigmore Hall with the fabulous Freiburg Baroque Orchestra and fortepiano star Kristian Bezuidenhout in the keyboard concertos of CPE Bach and Mozart. What could go wrong? 
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