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Performer: Lucas Singer

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CologneTurandot

Puccini: Turandot
Christoph Gedschold; Lydia Steier; Oper Köln; Momme Hinrichs; Ursula Kudrna; Anna Smirnova; Catherine Foster

CologneIl viaggio a Reims

Rossini: Il viaggio a Reims
Riccardo Frizza; Eike Ecker; Oper Köln; TBC; Albina Shagimuratova; Vuvu Mpofu; Adriana Bastidas Gamboa

CologneDer Kaiser von Atlantis

Ullmann: The Emperor of Atlantis (Der Kaiser von Atlantis)
Arne Willimczik; Eike Ecker; Oper Köln; Darko Petrovic; Claudia Rohrbach; Regina Richter

CologneDie Entführung aus dem SerailNew production

Mozart: Die Entführung aus dem Serail (The Abduction from the Harem)
Rainer Mühlbach; Kai Anne Schuhmacher; Oper Köln; Dominique Wiesbauer; Valerie Hirschmann; Kathrin Zukowski; Alina Wunderlin
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An emotionally distant Peter Grimes at Oper Köln

Ivana Rusko (Ellen Orford) and Marco Jentzsch (Peter Grimes) © Bernd Uhlig
Benjamin Britten's Peter Grimes is a nuanced, gripping tale that should pack an emotional punch. Despite fine moments, Oper Köln's production didn't serve the work. 
**111
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An effectively unsettling The Emperor of Atlantis at Oper Köln

Lucas Singer (Death), Nikolay Borchev (Emperor Overall) © Paul Leclaire
Though straightforward in concept, Oper Köln's production of the one-act opera written in the Theresienstadt concentration camp brought the opera's profound themes to the surface in an excellently sung performance.
***11
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Fidelio: delightful Beethoven in Cologne

Stefan Cerny (Rocco) and Emma Bell (Leonore) © Paul Leclaire
In a temporary home, Cologne Opera have mounted a remarkably joyful production of Beethoven’s single, wonderful opera.
****1
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Ring-Vorgeschmack in den Kölner Wagner-Lesarten III

Kent Nagano © Felix Broede
Über feierliche Orgien und historische Extreme nähern sich Concerto Köln und Kent Nagano nun mit viel Fantasie der romantischen Opernwelt.
****1
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Die Göttin des Gemetzels: Strauss' Salome an der Oper Köln

Ingela Brimberg (Salome) © Paul Leclaire
François Xavier Roth gibt mit Salome in Köln sein Strauss-Operndebüt, das ebenso packend wie die Inszenierung von Ted Huffman ist.
****1
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