Performer: Martina Mikelić

Hoffmann goes Steampunk: Renaud Doucet’s staging for the Volksoper is the exception to the sensible rule that “less is more”.

Under the headline “Why Lortzing?”, the evening’s programme lists 20 reasons by Lortzing biographer Jürgen Lodemann why this composer should not be forgotten, including the fact that Lortzing’s operas were the most-performed in Germany for about 150 years.

Richard Strauss and Hugo von Hofmannsthal began their collaboration on Die Frau ohne Schatten (The Woman Without a Shadow) with utopian ambitions. Unfortunately they weren’t the same ones. For Hofmannsthal, this would finally be the opera where his poetry would be illuminated by rather than buried under the music.

Der neue Stuttgarter Ring erfährt unter Regisseur Marco Štorman einen bilderreichen aber einfallslosen Abschluss.

Das Experiment „Wiener Rosenkavalier II“ ist dank Josef Ernst Köpplingers Erfolgsinszenierung definitiv geglückt.

Der Regisseur Peter Lund setzt sich intensiv mit seinen Stücken auseinander und bietet eine weitere grandiose Inszenierung am Haus.