Entzauberung statt Mythenbildung: Götterdämmerung in Stuttgart

Christiane Libor (Brünnhilde) und Daniel Kirch (Siegfried)

Daniel Kirch (Siegfried)

Patrick Zielke (Hagen)

Daniel Kirch (Siegfried) und Esther Dierkes (Gutrune)

Christiane Libor (Brünnhilde)

Martina Mikelić (Flosshilde), Linsey Coppens (Wellgunde) und Eliza Boom (Woglinde)

By Alexandra Richter, 21 February 2023

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“Štorman stellt eine Welt dar, um die es nicht schade wäre, ginge sie sogleich unter”

Reviewed at Staatsoper Stuttgart, Stuttgart on 19 February 2023

Wagner, Götterdämmerung (New production)

Staatsoper Stuttgart

Cornelius Meister, Conductor

Marco Štorman, Director

Demian Wohler, Set Designer

Sara Schwartz, Costume Designer

Kai Luczak, Lighting Designer

Staatsorchester Stuttgart

Staatsopernchor Stuttgart

Ingo Gerlach, Dramaturgy

Christiane Libor, Brünnhilde, Soprano

Esther Dierkes, Gutrune, Soprano

Daniel Kirch, Siegfried, Tenor

Shigeo Ishino, Gunther, Baritone

Patrick Zielke, Hagen, Alberich, Bass

Stine Marie Fischer, Waltraute, Mezzo-soprano

Nicole Piccolomini, First Norn

Ida Ränzlöv, Second Norn

Christiane Kohl, Third Norn

Linsey Coppens, Wellgunde

Eliza Boom, Woglinde

Martina Mikelić, Flosshilde

Bang to rights: a rare outing for an opera from the former GDR

Matthew Rye, 13th November

Die Verurteilung des Lukullus, Paul Dessau and Bertolt Brecht's political satire about a Roman general judged for his deeds after death, has lost none of its relevance in Staatsoper Stuttgart's new production.

****1

In Konwitschny's modern Medea, monsters are made by men

Ilana Walder-Biesanz, 27th December

Director Peter Konwitschny's staging of Cherubini's Medea critiques rejection and mistreatment of refugees. A strong new German translation and a talented cast make this a must-see.

****1

Rousseau and a boxing ring: Ariodante in Stuttgart

Jonathan Sutherland, 17th December

In Jussi Wieler and Sergio Morabito’s pugilistic production of Ariodante, the singers needed as much physical and gymnastic dexterity as vocal finesse.

***11

Sex and violence in the ghetto: Pique Dame

Ako Imamura, 6th July

Oper Stuttgart’s new production of The Queen of Spades (Pique-Dame) pushes a directorial tendency to update opera to a modern setting to an extreme.

***11

Devil in the detail: Gounod's Faust in Stuttgart

Matthew Rye, 3rd November

A thrilling new staging of Gounod's opera from the team that brought Bayreuth its current Ring, with musical rewards to match.

*****

Modern terror: Salome in Stuttgart

Ako Imamura, 1st December

Director Kirill Serebrennikov gives us a frightening new reality of the modern world beset by war and terrorism in his reimagining of Strauss's Salome

****1

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Alexandra Richter

Alexandra hat Medienwissenschaften studiert und arbeitet als Filmproduzentin in Frankfurt. Tagsüber sind die Kunstausstellungen und Museen ganz Europas ihr zu Hause. Die Abende verbringt sie gern in der Oper und im Konzertsaal. Hier liegen ihre Schwerpunkte bei Romantischen Komponist*innen, wie Schubert und Wagner. Aber auch zeitgenössische und moderne Musik finden immer wieder Beachtung.