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Performer: Matthias Goerne

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PittsburghBeethoven "Eroica"

Sibelius, Schubert, Strauss R., Beethoven
Pittsburgh Symphony Orchestra; Manfred Honeck; Matthias Goerne

ViennaParsifal

Wagner: Parsifal
Hartmut Haenchen; Alvis Hermanis; Vienna State Opera; Kristīne Jurjāne; Matthias Goerne; Boaz Daniel; Marina Prudenskaya

ViennaStrauss & Schostakowitsch

Strauss R., Shostakovich
Vienna Symphony Orchestra; Heinz Ferlesch; Matthias Goerne; Wiener Singakademie; Dima Slobodeniouk

ViennaWienerSymphoniker@7: Schostakowitsch

Shostakovich
Vienna Symphony Orchestra; Heinz Ferlesch; Matthias Goerne; Iveta Apkalna; Wiener Singakademie; Dima Slobodeniouk

BarcelonaEuropa 1900: Wagner, Strauss and others

© Igor Cortadellas
Schreker, Berg, Wagner, Strauss R.
Orquesta Sinfónica del Gran Teatre del Liceu; Josep Pons; Arabella Steinbacher; Matthias Goerne
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Strauss and Schubert songs contrasted with Matthias Goerne

Matthias Goerne, Jaap van Zweden and the New York Philharmonic © Chris Lee
Almost every June from 1989 to 1999, I visited the charming town of Feldkirch, in the Vorarlberg region of Western Austria, for the annual Schubertiade, originally founded in 1976 by the great German baritone Hermann Prey.
*****
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Pappano conducts Britten's War Requiem in Berlin

Ian Bostridge © Sim Canetty-Clarke
Britten's War Requiem at the Staatsoper Unter den Linden with Antonio Pappano conducting
****1
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Hengelbrock bids farewell to the NDR Elbphilharmonie

Thomas Hengelbrock © Michael Zapf
Ater seven years at the helm and a controversial early departure, Thomas Hengelbrock gives his final concerts as principal conductor of the oldest German radio orchestra.
****1
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A message of consolation 150 years on

Paavo Järvi © Ixi Chen
Celebrating the 150th anniversary of its first performance, Paavo Järvi directs the Deutsche Kammerphilharmonie Bremen in Brahms' Requiem, with the Latvian State Choir and two outstanding soloists.
***11
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Goerne and Trifonov at the Konzerthaus

Daniil Trifonov © Dario Acosta | Deutsche Grammophon
Despite some fascinating, impressive and often beautiful moments, the consistent refusal to give the audience time to applaud, pause and digest what they had just heard turned the evening into a wash of death songs.
**111
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