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Aix-en-ProvenceOtelloConcert performance

Verdi: Otello
Michele Mariotti; Orchestra del Teatro di San Carlo; Coro del Teatro di San Carlo; Maria Agresta; Jonas Kaufmann
RomeTrittico ricomposto: Il tabarro / Bluebeard's CastleNew production
Puccini, Bartók
Michele Mariotti; Johannes Erath; Teatro dell'Opera di Roma; Katrin Connan; Noëlle Blancpain; Alessandro Carletti; Orchestra del Teatro dell'Opera di Roma
RomeManfred
Schumann: Manfred Overture and Incidental music, Op.115
Orchestra del Teatro dell'Opera di Roma; Michele Mariotti; Coro del Teatro dell'Opera di Roma; Glauco Mauri
ParisLa bohème
Puccini: La bohème
Michele Mariotti; Claus Guth; Opéra national de Paris; Étienne Pluss; Eva Dessecker; Fabrice Kebour; Orchestre de l'Opéra national de Paris
TokyoTokyo Symphony Orchestra
Mozart, Schubert
Tokyo Symphony Orchestra; Michele Mariotti; Mami Hagiwara
KawasakiTokyo Symphony Orchestra
Mozart, Schubert
Tokyo Symphony Orchestra; Michele Mariotti; Mami Hagiwara
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AmsterdamBellini’s Norma: back in The NetherlandsConcert performance
Bellini: Norma
Michele Mariotti; Netherlands Radio Philharmonic (Radio Filharmonisch Orkest); Netherlands Radio Choir (Groot Omroepkoor); Venera Gimadieva; Salome Jicia
PesaroSemiramide
Rossini: Semiramide
Michele Mariotti; Graham Vick; Rossini Opera Festival; Stuart Nunn; Orchestra Sinfonica Nazionale della Rai; Coro del Teatro Ventidio Basso
Aix-en-ProvenceMoïse et PharaonNew production
Rossini: Mosè in Egitto / Moïse et Pharaon
Michele Mariotti; Tobias Kratzer; Festival d'Aix-en-Provence; Rainer Sellmaier; Bernd Purkrabek; Orchestre de l'Opéra de Lyon
Latest reviewsSee more...
Livermore’s new Aida: an incredible cinematic experience in Rome
In staging Verdi's triumphant masterpiece, the Teatro dell’Opera di Roma pays homage to silent films, turning Ancient Egypt into the underworld.
Reverence and beauty in Mariotti’s Verdi Requiem in Parma
A Verdi Festival account where the orchestral detail registers with true distinction and the singing impresses.
Rothko meets Rococo in the Staatsoper's new Il barbiere di Siviglia
A bit too much buffo and scenic sensory overload mar the otherwise new enjoyable Il barbiere di Siviglia in Vienna.
Koležnik's casino Falstaff redeemed by a powerful ending in Munich
The Bayerische Staatsoper's new production of Falstaff makes the mistake of turning a comedy into a slapstick, but the fine ensemble have the last say as they stand in silence and defiance to face the empty auditorium.
Everyone returns victorious in San Carlo's Aida
With their second open-air concert performance, Teatro di San Carlo scores another hit.
The Queen is back: Semiramide in Pesaro
Michele Mariotti triumphs in Rossini’s masterpiece with a good cast led by Salome Jicia and a new production, only partially successful.