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Performer: Michele Mariotti

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Aix-en-ProvenceOtelloConcert performance

Verdi: Otello
Michele Mariotti; Orchestra del Teatro di San Carlo; Coro del Teatro di San Carlo; Maria Agresta; Jonas Kaufmann

RomeTrittico ricomposto: Il tabarro / Bluebeard's CastleNew production

Puccini, Bartók
Michele Mariotti; Johannes Erath; Teatro dell'Opera di Roma; Katrin Connan; Noëlle Blancpain; Alessandro Carletti; Orchestra del Teatro dell'Opera di Roma


Schumann: Manfred Overture and Incidental music, Op.115
Orchestra del Teatro dell'Opera di Roma; Michele Mariotti; Coro del Teatro dell'Opera di Roma; Glauco Mauri

ParisLa bohème

Puccini: La bohème
Michele Mariotti; Claus Guth; Opéra national de Paris; Étienne Pluss; Eva Dessecker; Fabrice Kebour; Orchestre de l'Opéra national de Paris

TokyoTokyo Symphony Orchestra

Mozart, Schubert
Tokyo Symphony Orchestra; Michele Mariotti; Mami Hagiwara

KawasakiTokyo Symphony Orchestra

Mozart, Schubert
Tokyo Symphony Orchestra; Michele Mariotti; Mami Hagiwara
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AmsterdamBellini’s Norma: back in The NetherlandsConcert performance

Bellini: Norma
Michele Mariotti; Netherlands Radio Philharmonic (Radio Filharmonisch Orkest); Netherlands Radio Choir (Groot Omroepkoor); Venera Gimadieva; Salome Jicia


Rossini: Semiramide
Michele Mariotti; Graham Vick; Rossini Opera Festival; Stuart Nunn; Orchestra Sinfonica Nazionale della Rai; Coro del Teatro Ventidio Basso

Aix-en-ProvenceMoïse et PharaonNew production

Rossini: Mosè in Egitto / Moïse et Pharaon
Michele Mariotti; Tobias Kratzer; Festival d'Aix-en-Provence; Rainer Sellmaier; Bernd Purkrabek; Orchestre de l'Opéra de Lyon
Latest reviewsSee more...

Livermore’s new Aida: an incredible cinematic experience in Rome

In staging Verdi's triumphant masterpiece, the Teatro dell’Opera di Roma pays homage to silent films, turning Ancient Egypt into the underworld. 

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Reverence and beauty in Mariotti’s Verdi Requiem in Parma

A Verdi Festival account where the orchestral detail registers with true distinction and the singing impresses. 
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Rothko meets Rococo in the Staatsoper's new Il barbiere di Siviglia

A bit too much buffo and scenic sensory overload mar the otherwise new enjoyable Il barbiere di Siviglia in Vienna.

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Koležnik's casino Falstaff redeemed by a powerful ending in Munich

The Bayerische Staatsoper's new production of Falstaff makes the mistake of turning a comedy into a slapstick, but the fine ensemble have the last say as they stand in silence and defiance to face the empty auditorium.
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Everyone returns victorious in San Carlo's Aida

With their second open-air concert performance, Teatro di San Carlo scores another hit.
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The Queen is back: Semiramide in Pesaro

Michele Mariotti triumphs in Rossini’s masterpiece with a good cast led by Salome Jicia and a new production, only partially successful.
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