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Performer: Nadja Mchantaf

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BerlinZar und Zimmermann (Tsar and Carpenter)New production

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Lortzing: Zar und Zimmermann (Tsar and Carpenter)
Antonello Manacorda; Martin G Berger; Deutsche Oper Berlin; Sarah-Katharina Karl; Esther Bialas; Sascha Zauner; Orchester der Deutschen Oper Berlin
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Max Hopp falls short with Die Banditen at Komische Oper

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The last of Jacques Offenbach's great buffo operettas provides an opportunity for topical satire but Max Hopp’s attempts at updating it fall short of the mark.
**111
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Everything leads back to square one in new Orfeo ed Euridice

A coherent, modern version of the Orpheus myth from the Italian director at the Komische Oper Berlin.

****1
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When death is an old-fashioned portrait

The new version of La bohème at the Komische Oper Berlin follows a hard Verismo-beat.
****1
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Pelléas et Mélisande: Kosky's sleep-talking, nightmare

There’s no doubt that Mélisande endeavours to escape past troubles when she first appears in Barrie Kosky’s production of Debussy’s opera, yet Nadja Mchantaf is no reticent, wispy maiden. Every vocal and physical gesture – always precise and penetrating – displays an atypically forthright quest for vitality, something that Arkel’s chauvinistic world does not readily offer.
*****
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Kosky's compelling Onegin returns to the Komische Ope

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Tchaikovsky's opera packs a powerful emotional punch in the Komische Oper's concentrated and dreamlike production.
****1
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La Fenice's superb new Widow is always Merry, even without sequins and ostrich feathers

Damiano Michieletto's new production in Venice sets the operetta in the 1950s. 
*****
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