Live EventsSee more...
LondonBach’s Mass in B minor with Arcangelo
Bach: Mass in B minor, BWV232
Jonathan Cohen; Jeanine De Bique; Eva Zaïcik; Hugh Cutting; Nick Pritchard
EdinburghBach St Matthew Passion
Bach: St Matthew Passion, BWV244
Scottish Chamber Orchestra; Maxim Emelyanychev; Nick Pritchard; Matthew Brook; Hilary Cronin
GlasgowBach St Matthew Passion
Bach: St Matthew Passion, BWV244
Scottish Chamber Orchestra; Maxim Emelyanychev; Nick Pritchard; Matthew Brook; Hilary Cronin
LondonIphigénie en TaurideNew production
Gluck: Iphigénie en Tauride
David Bates; Lyndsey Turner; English National Opera; Soutra Gilmour; Tim Mitchell; English National Opera Orchestra; Christine Rice
LondonLa Nuova Musica / David Bates / Nick Pritchard
Buxtehude, Coult, Bach
David Bates; La Nuova Musica; Nick Pritchard
GatesheadBach’s St Matthew Passion
Bach: St Matthew Passion, BWV244
Royal Northern Sinfonia; Dinis Sousa; Nick Pritchard; Florian Störtz; Hilary Cronin; Jone Martínez
Latest reviewsSee more...
Václav Luks and the OAE deliver operatic scale in Haydn’s Creation
The Orchestra of the Age of Enlightenment under Václav Luks are joined by their own choir and strong soloists for a fresh and colourful performance of Haydn’s Die Schöpfung.
Cummings and the AAM win ‘Leipzig's Got Talent’
The Academy of Ancient Music poses the question what might have been in Leipzig with stunning performances of Bach and his competitors to be the new Thomaskantor.
Les Arts Florissants play an abbreviated Christmas Oratorio in Paris
Vigour and vibrato: Les Arts Florissant bring gallic refinement to Bach’s Christmas Oratorio at the Philharmonie de Paris.
Academy of Ancient Music delivers a majestic Messiah
Laurence Cummings and the AAM serve up Messiah-shaped serenity at the Barbican.
Bernstein’s devastating double bill of raw emotion cuts to the bone
Henry Neill gives a devastating performance as Sam in Trouble in Tahiti in The Royal Opera’s Bernstein double bill in the Linbury Theatre.
Bach cantatas, American spirituals, global calamity
The Gospel according to Peter Sellars: an intermingling of Bach’s cantatas and American spirituals depicts an environmental message that the impending end won’t be personal, but global.