Our privacy policy was last updated on Monday 24 June 2019View it hereDismiss
Sign in
Bachtrack logo
What's on

Performer: Nikolai Schukoff

Upcoming eventsSee more...

MadridCiclo sinfónico: Arrancarse los ojos

Ciclo sinfónico: Arrancarse los ojos
Stravinsky, Poulenc
Orquesta Nacional de España; Josep Pons; Stéphanie d'Oustrac; Nikolai Schukoff; Francisco Vas; José Antonio López

TokyoBeethoven 9th Symphony Concert

Beethoven: Symphony no. 9 in D minor "Choral", Op.125
NHK Symphony Orchestra Tokyo; Simone Young; Maria Bengtsson; Kasumi Shimizu; Nikolai Schukoff; Luca Pisaroni

AmsterdamAufstieg und Fall der Stadt MahagonnyNew production

Aufstieg und Fall der Stadt Mahagonny
Weill: Rise and Fall of the City of Mahagonny
Markus Stenz; Ivo van Hove; Dutch National Opera; Jan Versweyveld; An D'Huys; Doris Soffel; Alan Oke

MadridThe PassengerNew production

The Passenger
Weinberg: The Passenger
David Afkham; David Pountney; Teatro Real; Johan Engels; Marie-Jeanne Lecca; Daveda Karanas; Amanda Majeski

MarseilleBeethoven, Symphonie n° 9 – Orchestre Philharmonique de Marseille

Beethoven: Symphony no. 9 in D minor "Choral", Op.125
Marseille Philharmonic Orchestra; Lawrence Foster; Isabelle Cals; Simona Ivas; Nikolai Schukoff; Nicolas Cavallier
Latest reviewsSee more...

A free spirit: Glanert's Oceane premieres in Berlin

Nikolai Schukoff (Martin von Diercksen) and Maria Bengtsson (Oceane) © Bernd Uhlig
Based on Theodor Fontane's novel Oceane von Parceval, Detlev Glanert's eleventh opera is given its world premiere at Deutsche Oper.
Read more

Neuenfels' bloodless Salome in Berlin

Ausrine Stundyte (Salome) and Christian Natter (Oscar Wilde) © Monika Rittershaus
Hans Neuenfels new Salome proves a strangely non-committal affair at the Staatsoper, but Thomas Guggeis conducts impressively.
Read more

Death in Florence: Zemlinsky and Puccini at DNO

Ausrine Stundyte (Bianca) and John Lundgren (Simone) © Matthias Baus
An unlikely coupling of one-act operas by Zemlinsky and Puccini bears fruit in a staging that reveals their thematic parallels while leaving their obvious differences on show.
Read more

An intensely riveting Flying Dutchman explodes the cliches

Greer Grimsley (Dutchman) © Philip Newton
Christopher Alden's risk-taking, Expressionist-tinged production of the early Wagner breakthrough is provocative in all the right ways.
Read more

A dud bullet: Thalheimer’s Freischütz fires blanks

Director Michael Thalheimer staging Weber’s Der Freischütz entirely in the Wolf’s Glen, albeit relocated from a “fearsome forest gorge” to what looks like a badger’s sett. 
Read more