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Performer: Olesya Golovneva

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StuttgartThe Gambler

© Martin Sigmund
Prokofiev: The Gambler
Rotem Nir; Axel Ranisch; Staatsoper Stuttgart; Saskia Wunsch; Claudia Irro; Valentin Däumler; Staatsorchester Stuttgart

Frankfurt am MainTurandot

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Puccini: Turandot
Simone Di Felice; Andrea Breth; Oper Frankfurt; Johannes Leiacker; Ursula Renzenbrink; Alexander Koppelmann; Opera Frankfurt Orchestra

RomeLady Macbeth of the Mtsensk District

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Shostakovich: Lady Macbeth of the Mtsensk District
Juraj Valčuha; Barrie Kosky; Teatro dell'Opera di Roma; Rufus Didwiszus; Victoria Behr; Olaf Freese; Orchestra del Teatro dell'Opera di Roma
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Penthouse decadence for a shattering new Salome in Geneva

Olesya Golovneva (Salome) © Grand Théâtre de Genève | Magali Dougados
The Grand Théâtre de Genève is certainly not risk-averse and Hungarian director Kornél Mundruczó controversially translates the action to a penthouse bar in New York.
*****
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Real and emotional fires light the stage in Respighi’s La fiamma

Olesya Golovneva (Silvana) and ensemble © Monika Rittershaus
Christof Loy and Carlo Rizzi score a great success in bringing Respighi’s rarely performed opera the Deutsche Oper Berlin. 
****1
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Christof Loy’s Lonely Hearts Club at Oper Frankfurt

This is no Liederabend with singers taking their turn to file up to the piano. It’s a fully staged drama in which baritone Vladislav Sulimsky’s character reflects on his past loves and losses.
*****
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Duisburg’s Don Carlos rescued from a devastating deluge

What do you do when 80 tonnes of water flood your theatre, your sets and costumes? Rescue, reshape and present what you can. That’s what Deutsche Oper am Rhein have had to do in Duisburg.

***11
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Grand opéra, grand singing: Les Huguenots

Meyerbeer's little performed work is given an enthusiastic rendering, with star singing from a big cast led by Flórez, Ciofi and Jerkunica. David Alden's quality Personenregie makes up for some unconvincing setting choices.
****1
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A dream cast: Rigoletto at the Dresden Semperoper

Dating from 2008, the Semperoper’s current production of Rigoletto is quite intriguing. It’s set in what appears to be a swanky 21st-century Berlin apartment – industrial, sparse and effortlessly cool – and in many ways this is an interesting choice.
***11
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