Live EventsEn voir plus...
StuttgartThe Gambler
Prokofiev: The Gambler
Rotem Nir; Axel Ranisch; Staatsoper Stuttgart; Saskia Wunsch; Claudia Irro; Valentin Däumler; Staatsorchester Stuttgart
Francfort-sur-le-MainTurandot
Puccini: Turandot
Simone Di Felice; Andrea Breth; Oper Frankfurt; Johannes Leiacker; Ursula Renzenbrink; Alexander Koppelmann; Frankfurter Opern- und Museumsorchester
RomeLady Macbeth of the Mtsensk District
Chostakovitch: Lady Macbeth of the Mtsensk District
Juraj Valčuha; Barrie Kosky; Teatro dell'Opera di Roma; Rufus Didwiszus; Victoria Behr; Olaf Freese; Orchestra del Teatro dell'Opera di Roma
Critiques récentesEn voir plus...
Penthouse decadence for a shattering new Salome in Geneva
The Grand Théâtre de Genève is certainly not risk-averse and Hungarian director Kornél Mundruczó controversially translates the action to a penthouse bar in New York.
Real and emotional fires light the stage in Respighi’s La fiamma
Christof Loy and Carlo Rizzi score a great success in bringing Respighi’s rarely performed opera the Deutsche Oper Berlin.
Rusalka visibiliza la discapacidad en Les Arts
Christof Loy convierte la fábula Rusalka en una sensible y fina escenificación de la discapacidad.
Jolanthe und der Nussknacker: Volksoper Wien lässt die Puppen tanzen
Lotte de Beer wagt ein Capriccio aus Peter Tschakowskys Jolanthe und dem Nussknacker. Durchweg unterhaltsam, aber nicht bahnbrechend.
Christof Loy’s Lonely Hearts Club at Oper Frankfurt
This is no Liederabend with singers taking their turn to file up to the piano. It’s a fully staged drama in which baritone Vladislav Sulimsky’s character reflects on his past loves and losses.
Rusalka y el teatro como metáfora de un mundo de sombras
El Teatro Real estrena una nueva producción de Rusalka, ópera de Dvořák que enfrenta el mundo mágico y el mundo real, dirigida por Ivor Bolton y Christof Loy.