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COC’s Magic Flute returns as a well sung whimsical comedy
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The COC’s revival of The Magic Flute is mostly played for laughs and makes an enjoyable, if undemanding, evening.
Lise Davidsen's role debut anchors satisfying Jenůfa from Amsterdam
The Norwegian soprano proved near-ideal, with ethereal high notes and a steeliness well suited to the character.
Putting frippery before Freud
The current stage-setting of Arabella at the Wiener Staatsoper proves that “all that’s Glittenberg” is not gold.
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ParisMaurice Béjart
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Stravinsky, Mahler, Ravel
Maurice Béjart; Ballet de l'Opéra de Paris; Patrick Lange; Joëlle Roustan; Dominique Roman
ParisL'Enfant et les sortilèges
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Ravel
Patrick Lange; Richard Jones; Opéra national de Paris; Antony McDonald; Matthew Richardson; Orchestre de l'Opéra national de Paris