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StockholmFate & Guilt
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Tüür, Sibelius
Swedish Radio Symphony Orchestra; Esa-Pekka Salonen; Orphei Drängar; Aphrodite Patoulidou; Peter Mattei; Asya Fateyeva
ParisDon GiovanniNew production
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Mozart: Don Giovanni
Finnegan Downie Dear; Louisa Proske; Opéra national de Paris; Stephanie Childress; Christof Hetzer; Kaye Voyce; Valerio Tiberi
VerbierPeter Mattei / Daniel Heide / Winterreise

Schubert: Winterreise (W. Müller), D.911
Peter Mattei; Daniel Heide
New York CityLincoln in the BardoWorld premiere

Mazzoli: Lincoln in the Bardo
Yannick Nézet-Séguin; Lileana Blain-Cruz; Metropolitan Opera; Steven Osgood; Adam Rigg; Montana Levi Blanco; Yi Zhao
MilanRiccardo Chailly

Bach: St John Passion, BWV245
Orchestra del Teatro alla Scala; Riccardo Chailly; Coro del Teatro alla Scala; Mark Padmore; Manuel Günther; Anke Vondung
New York CityParsifal

Wagner: Parsifal
Yannick Nézet-Séguin; François Girard; Metropolitan Opera; Michael Levine; Thibault Vancraenenbroeck; David Finn; The Metropolitan Opera Orchestra
Latest reviewsSee more...
Musical tributes to Festival d’Aix as it wins Birgit Nilsson Prize
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Pierre Audi is remembered in words and music as the Festival d’Aix-en-Provence receives $1m – the richest prize in classical music – at Stockholm’s Konserthuset.
Claus Guth directs a tormented, harrowing new Salome at the Met
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Claus Guth's new production at the Metropolitan Opera, originally seen at the Bolshoi in 2021, moves the action from biblical Judea to the era of the opera's composition.
Heggie’s newly staged Moby Dick lands triumphantly at the Met
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Fifteen years after its Dallas Opera world premiere, Jake Heggie’s grand adaptation of Herman Melville’s sprawling epic arrives in New York in a stunning production with a standout cast.
Ivo van Hove's bleak, effective Don Giovanni arrives at the Met
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Peter Mattei's smooth-as-silk baritone leads a handsome cast in the Metropolitan Opera's bleak new production of Mozart's great dramma giocoso.
A fine showing for the 1884 Italian version of Don Carlo at the Met
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A revival for Sir David McVicar's staging from last season, but this time reverting from French to the four-act Italian version, conducted by Carlo Rizzi.
Luisi masters Mahler with Amsterdam's Royal Concertgebouw Orchestra
The towering Fifth Symphony was cohesive and unusually refined, while Peter Mattei brought elegance and passion to Kindertotenlieder.
Latest articles
At the helm of the Met: Peter Gelb
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The General Manager of America's operatic flagship talks about the forthcoming season, singers, production styles and why Two Boys never made it into the cinema.
