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Performer: Richard Peduzzi

Upcoming eventsSee more...

MunichTosca

Tosca
Puccini: Tosca
Andrea Battistoni; Luc Bondy; Bavarian State Opera; Richard Peduzzi; Milena Canonero; Anja Harteros; Joseph Calleja

MunichTosca

Tosca
Puccini: Tosca
Marco Armiliato; Luc Bondy; Bavarian State Opera; Richard Peduzzi; Milena Canonero; Sonya Yoncheva; Riccardo Massi

ParisYvonne, Princesse de Bourgogne

Boesmans: Yvonne, Princess of Burgundy
Susanna Mälkki; Luc Bondy; Opéra national de Paris; Richard Peduzzi; Milena Canonero; Béatrice Uria-Monzon; Laurent Naouri
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Verdi's Vêpres siciliennes opens the operatic season in Rome

Roberto Frontali (Montfort) and John Osborn (Henri) © Yasuko Kageyama | Opera di Roma
Living in an environment influenced by French culture, Verdi saw the chance of breathing new life into the Italian opera through the grand-opéra. Les Vêpres siciliennes is his successful attempt.
****1
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Elektra's misery: up close and personal at The Met

Christine Goerke (Elektra) and Mikhail Petrenko (Orest) © Karen Almond | Metropolitan Opera
"She commands the stage, she commands the notes, she commands the tension": Christine Goerke's portrayal of Elektra haunts The Met. 
*****
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Chéreau's Elektra arrives in Berlin

Evelyn Herlitzius (Elektra) and Michael Volle (Orest) © Monika Rittershaus
Evelyn Herlitzius and Adrianne Pieczonka are unsinkable in the the French director's final production, conducted with impressive symphonic sweep by Daniel Barenboim. 
****1
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Met's new Elektra a triumph of music and theater

Adriennec Pieczonka, Waltraud Meier, Nina Stemme © Marty Sohl / Metropolitan Opera
The late director Patrice Chereau's last work, Elektra, was brilliantly realized at the Met, with special credit to conductor Esa-Pekka Salonen and soprano Nina Stemme.
*****
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Low voltage Carmen in Emma Dante's return to La Scala

On a balmy evening in Milan, there was anticipation in the air as queues stretched way back for a sold out performance of Carmen. But a flat atmosphere soon fell in the auditorium itself, with lacklustre singing and confused staging to blame.
**111
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