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ParisRituelsNew production
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Lalo, Ravel, Stravinsky
Serge Lifar; Shahar Binyamini; Pina Bausch; Ballet de l'Opéra de Paris; Danseurs et danseuses étoiles du Ballet de l'Opéra national de Paris; Vello Pähn; Rolf Borzik; Ofer Laufer
MadridTanztheater Wuppertal / Pina Bausch
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Purcell, Stravinsky
Pina Bausch; Tanztheater Wuppertal; Henrik Schaefer; Orquesta Titular del Teatro Real; Rolf Borzik
LuganoKontakthof – Echoes of '78: Pina Bausch/Meryl Tankard

Various: Kontakthof – Echoes of '78
Pina Bausch; Meryl Tankard; Tanztheater Wuppertal; Rolf Borzik; Ryan Joseph Stafford
MunichOrpheus und Eurydike – Bayerisches Staatsballett

Gluck: Orpheus und Eurydike
Pina Bausch; Bavarian State Ballet; Christopher Moulds; Rolf Borzik; Zeynep Kepekli
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Pina Bausch’s Kontakthof – Echoes of ‘78: poignant reality
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A reimagining of Pina Bausch's 1978 Kontakthof by Meryl Tankard brings together eight of the original cast members in a unique and poignant revival.
Rites in Antwerp: a towering triple bill for Opera Ballet Vlaanderen
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In Rites, Opera Ballet Vlaanderen confirm its status as a leading contemporary dance company with a formidable triple bill, technically demanding for both dancers and orchestra.
The Rite of Spring gains a whole new dimension with École des Sables
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Powerful performances of a double bill at the Edinburgh International Festival by the Senegal based École des Sables.
Persistent: outstanding triple bill celebrates female choreographers
She Persisted is the sequel to English National Ballet's She Said, a triple bill featuring work by Annabelle Lopez Ochoa, Stina Quagebeur and Pina Bausch.
Orpheus and Eurydice at Teatro Real
Almost 40 years after its première, Pina Bausch's daring reinterpretation of the myth of Orpheus still captivates audiences worldwide. This tanzoper is one of the most accomplished attempts to create a contemporary tragedy, an enthralling reflection on human boundaries and the acceptance of death.
Kontakthof à l’Opéra de Paris, le grand bal des désirs humains
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Créé en 1978, le chef-d'œuvre de Pina Bausch fait son entrée au répertoire de l'Opéra national de Paris, sous une forme vivante et actuelle, magnifiquement portée par la compagnie.
