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GothenburgRouvali returns to Gothenburg
Nielsen, Strauss R., Rimsky-Korsakov
Gothenburg Symphony Orchestra; Santtu-Matias Rouvali
AmsterdamAlexandre Kantorow plays Saint-Saëns’ Piano Concerto No. 2
Ravel, Saint-Saëns, Rimsky-Korsakov
Philharmonia Orchestra; Santtu-Matias Rouvali; Alexandre Kantorow
LondonSanttu conducts Scheherazade
Ravel, Saint-Saëns, Rimsky-Korsakov
Philharmonia Orchestra; Santtu-Matias Rouvali; Alexandre Kantorow
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GothenburgSibelius' Symphony no. 2
Sibelius: Symphony no. 2 in D major, Op.43
Gothenburg Symphony Orchestra; Santtu-Matias Rouvali
GothenburgStrauss' Don Juan
Strauss R.: Don Juan, Op.20
Gothenburg Symphony Orchestra; Santtu-Matias Rouvali
GothenburgTchaikovsky's Symphony no. 6 in B minor
Tchaikovsky: Symphony no. 6 in B minor, "Pathétique", Op.74
Gothenburg Symphony Orchestra; Santtu-Matias Rouvali
Latest reviewsSee more...
Kuusisto and Rouvali offer fresh thinking from Finland
A fresh look at Sibelius' Violin Concerto and a bracing trip to the countryside in Beethoven's Pastoral at the Royal Festival Hall.
From Nibelheim to Valhalla: orchestral thrills in pocket-sized Ring
Santtu-Mathias Rouvali steers the Philharmonia through Lorin Maazel's 70-minute version of Wagner's tetralogy, while Miah Persson is golden-toned in late Strauss.
Percussion thrills aplenty from Rouvali, Kuusisto and the Philharmonia
From an unknown Mexican piece to an all-new Bryce Dessner concerto to the familiar Rite of Spring, Rouvali and the Philharmonia blow the roof off the Royal Festival Hall.
Santtu-Matias Rouvali opens his account with two Strauss epics
On the strength of this stirring evening of Strauss, the 35-year-old Finn is set to become a welcome Southbank resident.
Rouvali and Philharmonia glisten like quartz in American smorgasbord
A slightly left-field American-themed programme gave Santtu-Matias Rouvali scope to explore, and excel, in the Philharmonia’s exciting return to the Royal Festival Hall.
Poetic Rachmaninov from Lugansky and the Philharmonia
In an all-Russian matinee, the Philharmonia presents excerpts from Tchaikovsky’s ballet that lack a dance element, but Rachmaninov’s First Piano Concerto soars.