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Performer: Sarah Aristidou

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BerlinFinnish Radio Symphony Orchestra / Helsinki Chamber ChoirConcert performance

Berliner Festspiele
Ligeti: Le Grand Macabre
Nicholas Collon; Frederic Wake-Walker; Nils Schweckendiek; Finnish Radio Symphony Orchestra; Helsinki Chamber Choir; Wolfgang Ablinger-Sperrhacke

BerlinWDR Sinfonieorchester

Berliner Festspiele
Nante, Loriod, Mendelssohn
WDR Symphony Orchestra; Kent Nagano; Sarah Aristidou

MunichKoma / Il combattimento di Tancredi e ClorindaNew production

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Haas, Monteverdi
Bas Wiegers; Romeo Castellucci; Bavarian State Opera; Bayerisches Staatsorchester

SalzburgPassionConcert performance

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Dusapin: Passion
Franck Ollu; Ensemble Modern; Sarah Aristidou; Georg Nigl; Schola Heidelberg
Latest reviewsSee more...

Alessio Bax’s inaugural London Festival of Chamber Music

Alessio Bax, Natalia Lomeiko, Lawrence Power, Nabil Shehata and Paul Watkins © Sophie Oliver | Sinfonia Smith Square
Alessio Bax's inaugural London Festival of Chamber Music sets off with a spring in its step.
*****
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Music against Death: Joana Mallwitz conducts Nono and Mahler in Berlin

Joana Mallwitz © Simon Pauly
Joana Mallwitz pairs rare Luigi Nono with Mahler's Fourth Symphony at the Konzerthausorchester's Musikfest Berlin programme. 
****1
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All that glitters is not gold: Mitridate, Re di Ponto in Berlin

Pene Pati (Mitridate) © Bernd Uhlig
The Staatsoper Unter den Linden's multi-seasonal Baroque project continues with a new production of Mozart's first opera seria, which roars and soars under the conducting of Marc Minkowski.
****1
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Larcher's The Hunting Gun premieres in Bregenz

The restrained pacing of Larcher's opera suited the intimate setting of the Werkstattbühne.
****1
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Sweet nothings: a disappointing Hänsel und Gretel

Achim Freyer's production robs Humperdinck's fairy tale of heart and drama at the Lindenoper.
**111
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Luciano Berio en drôle de compagnie au Festival d'Automne

L'Ensemble intercontemporain, Vimbayi Kaziboni et Sarah Aristidou dans les Folk Songs © Anne-Elise Grosbois
L'œuvre du compositeur italien était précédée de quatre pièces de compositrices en rapport avec la voix (dont deux créations mondiales de Ni Zheng et Zara Ali), qui ont généré des impressions variées.
***11
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