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MunichDer fliegende Holländer

Wagner: Der fliegende Holländer (The Flying Dutchman)
Daniele Rustioni; Peter Konwitschny; Bavarian State Opera; Johannes Leiacker; Michael Bauer; Bayerisches Staatsorchester
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Noseda launches a Rachmaninov 150th celebration in Zurich

The first of four Rachmaninov anniversary concerts shared by Zurich’s two fine orchestras is an audio feast, climaxing with the choral symphony, The Bells.
François Girard's new Fliegende Holländer disappoints at The Met
François Girard’s production presents the moody, stormy atmosphere of Norwegian seascapes with stunning visuals, but offers few fresh ideas on the doomed love between the Dutchman and Senta.
Classic Robert Wilson: Turandot opens Canadian Opera Company season
Director Robert Wilson and conductor Carlo Rizzi combine effectively to create a visually striking and musically memorable Turandot that emphasizes the hieratic and the mythical with a notable absence of unnecessary histrionics.
Gergiev conducts a grandiose Khovanshchina at La Scala
In Khovanshchina, even more so than in Boris Godunov, the chorus is the chief protagonist and the La Scala chorus was truly astonishing.
The Flying Dutchman sails into Bergen
Bergen National Opera’s new production allows the story to speak to itself, while strong performances from Eric Halfvarson and Elisabeth Teige gave the performance its edge.
A searing Lady Macbeth of Mtsensk in Munich
Harry Kupfer's vivid and enlightening production came alive by soprano Anja Kampe's courageous performance and by conductor Oksana Lyniv's briliant direction.
