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Hidden tears season the comedy in Santa Fe's enchanting Elixir

In this revival of Stephen Lawless' busy production, set in 1945 Italy, young American tenor Jonah Hoskins' endearing performance tilts Donizetti's charmer in a Nemorino-centric direction.
Seattle Opera's L’elisir d’amore is a mostly lighthearted romp

Stephen Lawless' production of Donizetti’s whimsical comedy begins well and improves as it goes, with sparkling performances from an international cast.
Elin Pritchard a sensational Manon Lescaut at The Grange Festival
In a new production at The Grange Festival, Elin Pritchard's performance of Puccini's titular heroine in this 1940s-era update is a tour de force.
LA Opera’s Roberto Devereux miraculously comes together
Angela Meade fills in for an indisposed soprano in Los Angeles Opera’s company debut of Donizetti’s Roberto Devereux.
A finely sung Katya Kabanova in rust-bucket Russia
Stephen Lawless' new production for Scottish Opera and Theater Magdeburg sets the action in the industrial wastelands of Russia.
An updated Roméo et Juliette at Santa Fe
Santa Fe Opera presented Gounod’s Roméo et Juliette in Stephen Lawless’ mid 19th-century staging, a co-production with Barcelona's Liceu. Before the overture, General Director Charles MacKay came onstage to announce that Stephen Costello was ill and would be replaced by Joshua Guerrero, a graduate of the Los Angeles Opera Young Artist Program.
Latest articles
It's opera for all in Scottish Opera's new season
Scottish Opera launches an eclectic mix of main house productions, touring activity and a large emphasis on youngsters in Scotland’s Year of Young People.
