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In this revival of Stephen Lawless' busy production, set in 1945 Italy, young American tenor Jonah Hoskins' endearing performance tilts Donizetti's charmer in a Nemorino-centric direction. 

Stephen Lawless' production of Donizetti’s whimsical comedy begins well and improves as it goes, with sparkling performances from an international cast.

In a new production at The Grange Festival, Elin Pritchard's performance of Puccini's titular heroine in this 1940s-era update is a tour de force.

Angela Meade fills in for an indisposed soprano in Los Angeles Opera’s company debut of Donizetti’s Roberto Devereux.

Santa Fe Opera presented Gounod’s Roméo et Juliette in Stephen Lawless’ mid 19th-century staging, a co-production with Barcelona's Liceu. Before the overture, General Director Charles MacKay came onstage to announce that Stephen Costello was ill and would be replaced by Joshua Guerrero, a graduate of the Los Angeles Opera Young Artist Program.

A pleasing performance from WNO of The Flying Dutchman, with Eric Owens brooding magnificently over the whole. 

With smart direction, elegant design, and vocal fireworks, the Canadian Opera Company's Roberto Devereux offers a complex portrait of a much-loved historical figure.

Playing hard to get has its rewards. At least that's what Donizetti tells us in The Elixir of Love that gives a charming opera a fresh take. 

Ladies and gentlemen of Washington DC and the nearby lands!If last fall you did not get a chance to journey to New York for the Met’s season-opening production of Anna Bolena – do not fret! Last Saturday the Washington National Opera opened its new season with a production of Anna Bolena (a little too bloody for a season opening if you ask me, but maybe that’s what attracts most people to opera th

Dirk Kaftan am Pult des Grazer Philharmonischen Orchesters und Gal James als grandiose Desdemona trotzten szenischer Spannungslosigkeit und sorgten für eine hörenswerte Vorstellung.