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Performer: Tom Erik Lie

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BerlinOrpheus in the Underworld

© Monika Rittershaus
Offenbach: Orphée aux enfers (Orpheus in the Underworld)
James Hendry; Barrie Kosky; Komische Oper Berlin; Rufus Didwiszus; Victoria Behr; Franck Evin; Orchester der Komischen Oper Berlin

BerlinHansel and Gretel

© Jan Windszus
Humperdinck: Hänsel und Gretel
James Gaffigan; Dagmar Manzel; Komische Oper Berlin; Killian Farrell; Korbinian Schmidt; Victoria Behr; Olaf Freese

BerlinCon­rad or The Fac­to­ry-Made Boy

© Monika Rittershaus
Penderbayne: Con­rad or The fac­to­ry-made boy
Anne Hinrichsen; Ruth Brauer-Kvam; Komische Oper Berlin; Alfred Peter; Alfred Mayerhofer; Johannes Scherfling; Orchester der Komischen Oper Berlin

BerlinThe Magic Flute (Die Zauberflöte)

© Jan Windszus
Mozart: Die Zauberflöte (The Magic Flute)
Marit Strindlund; Barrie Kosky; Komische Oper Berlin; Esther Bialas; Diego Leetz; Orchester der Komischen Oper Berlin
Latest reviewsSee more...

Orlando revisited: Olga Neuwirth’s Woolf adaptation comes to Berlin

Ema Nikolovska (Orlando) and Karolina Gumos (Queen) © Jan Windszus Photography
The German premiere of Olga Neuwirth’s Orlando at the Komische Oper cements it as a postmodern grand opéra – for better or for worse.
***11
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Max Hopp falls short with Die Banditen at Komische Oper

Die Banditen © Jaro Suffner
The last of Jacques Offenbach's great buffo operettas provides an opportunity for topical satire but Max Hopp’s attempts at updating it fall short of the mark.
**111
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Out of the closet and into the cage: La Cage aux Folles in Berlin

Dance ensemble of the Komische Oper Berlin © Monika Rittershaus
Thanks to Barrie Kosky's flamboyant imagination and a solid cast, the Komische Oper's new production of La Cage aux Folles glitters, but could be more gay.
***11
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Of Ice and Men: Intolleranza 1960 at the Komische Oper

Sean Pannikkar, Deniz Uzun and chorus © Barbara Braun
Marking the beginning of a new artistic direction, the Komische Oper's new production of Nono's Intolleranza 1960 proves a success, with director Marco Štorman's deep rethinking of the theatre stage.
****1
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Going out with a “Boum!" at Komische Oper

The Komische Oper's new, socially-distanced Offenbach staging shows plenty of glitzy defiance in its brief appearance before Germany's latest lockdown. 
***11
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Nocturnal orgies versus controlled reason

Sophisticated interpretation of The Bassarids by Hans Werner Henze at the Komische Oper Berlin
*****
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