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Uwe Eric Laufenberg’s Bayreuth take on Parsifal
Despite its enigmatic details, Bayreuth's Parsifal reaches a cathartic climax.
Laufenberg’s Elektra a disappointment in Vienna
German theatre director Uwe Eric Laufenberg freely incorporates some of Stanley Kubrik’s horror story concepts into his Elektra, but in ignoring both Sophocles and Strauss, is a long way from shining.
Bayreuth welcomes a new Parsifal
Uwe Eric Laufenberg sets his new staging of Wagner's final opera among the persecuted Christians of the contemporary Middle East – but avoids preaching.
Götterdammerung or The Ring returns to the Rhine
With Götterdämmerung the Linz Ring came to a controversial conclusion with a graphic depiction of Siegfried violently raping a defenceless Brünnhilde, and Hagen entertaining his father Alberich, and his mother.
The Linz Ring: Siegfried or Whither Wotan?
Rewarding performances by Matthäus Schmidlechner as Mime and Lars Cleveman in the title role, plus Elena Nebera as Brünnhilde, made Richard Wagner’s Siegfried at the Landestheater Linz a joy.
Die Walküre or Wotan’s double dilemma
Some beautiful singing from Michael Bedjai as Siegmund and Brit-Tone Müller as Sieglinde set a high standard in this Landestheater Linz production of Richard Wagner’s Die Walküre.
