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ParisLa Clémence de Titus
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Mozart: La clemenza di Tito
Harry Bicket; Willy Decker; Opéra national de Paris; John Macfarlane; Hans Toelstede; Orchestre de l'Opéra national de Paris
ViennaDie tote Stadt
Korngold: Die tote Stadt (The Dead City)
Sebastian Weigle; Willy Decker; Vienna State Opera; Wolfgang Gussmann; Orchestra of the Vienna State Opera; Concert Association Vienna State Opera Chorus
ViennaLulu
Berg: Lulu
Simone Young; Willy Decker; Vienna State Opera; Wolfgang Gussmann; Susana Mendoza; Orchestra of the Vienna State Opera; Concert Association Vienna State Opera Chorus
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Werther revived at San Carlo: an anatomy of emotional isolation
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Willy Decker’s psychologically intense Werther returns to the Teatro di San Carlo with a deeply human interpretation by Francesco Demuro and refined conducting by Lorenzo Passerini.
Kunde leads Wiener Staatsoper’s shattering Billy Budd
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At 70 years old, American tenor Gregory Kunde makes a magnificent role debut as Captain Vere, with a strong ensemble of singers, chorus, and orchestra in Willy Decker's effective production.
The Queen of Spades plays her cards right in Naples
Willy Decker does not try to make the structure of the plot any clearer, mainly concentrating on the deeper meaning of the work. The cast was excellent.
Kàt’a Kabanova takes flight in Naples
A terrific staging of Janáček's opera is successfully revived at the Teatro di San Carlo.
A dark update for Werther in Prague
Willy Decker's enduring production gets smart treatment in a handsome revival.
Götterdämmerung splutters to a tepid conclusion in Dresden
With a plethora of theatre seats, stools and benches it was as if Willy Decker and Wolfgang Gussman had been elected ‘Chair-men of the bored”.
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ParisLa Clémence de Titus
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Mozart: La clemenza di Tito
Harry Bicket; Willy Decker; Opéra national de Paris; John Macfarlane; Hans Toelstede; Orchestre de l'Opéra national de Paris