Live EventsEn voir plus...
ParisLa Clémence de Titus
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Mozart: La clemenza di Tito (La Clémence de Titus)
Harry Bicket; Willy Decker; Opéra national de Paris; John Macfarlane; Hans Toelstede; Orchestre de l'Opéra national de Paris
VienneDie tote Stadt
Korngold: Die tote Stadt (The Dead City)
Sebastian Weigle; Willy Decker; Wiener Staatsoper; Wolfgang Gussmann; Orchester der Wiener Staatsoper; Concert Association Vienna State Opera Chorus
VienneLulu
Berg: Lulu
Simone Young; Willy Decker; Wiener Staatsoper; Wolfgang Gussmann; Susana Mendoza; Orchester der Wiener Staatsoper; Concert Association Vienna State Opera Chorus
Critiques récentesEn voir plus...
Le Vaisseau fantôme revient à l’assaut de Bastille
Si la mise en scène de Willy Decker accuse son âge dans une production inégale, l'œuvre de Wagner bénéficie de l'incarnation parfaite de Ricarda Merbeth et de la direction inspirée d'Hannu Lintu.
Werther revived at San Carlo: an anatomy of emotional isolation
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Willy Decker’s psychologically intense Werther returns to the Teatro di San Carlo with a deeply human interpretation by Francesco Demuro and refined conducting by Lorenzo Passerini.
El tiempo que nos queda: La traviata en el Teatro Real
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Cantantes estrella y una escenografía icónica, imprescindible para cualquier aficionado, para el final de temporada del Teatro Real
El holandés errante de Les Arts: una magnífica narración
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Música y escenografía se funden en un todo para presentar un embelesador El holandés errante en Les Arts.
Kunde leads Wiener Staatsoper’s shattering Billy Budd
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At 70 years old, American tenor Gregory Kunde makes a magnificent role debut as Captain Vere, with a strong ensemble of singers, chorus, and orchestra in Willy Decker's effective production.
The Queen of Spades plays her cards right in Naples
Willy Decker does not try to make the structure of the plot any clearer, mainly concentrating on the deeper meaning of the work. The cast was excellent.