Jessica Pratt hits the virtuosic heights in San Carlo's Barbiere

Jessica Pratt (Rosina) and Carlo Lepore (Bartolo)

Davide Luciano (Figaro)

Il barbiere di Siviglia

Xabier Anduaga (Almaviva) and Jessica Pratt (Rosina)

By Lorenzo Fiorito, 10 July 2022

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“Pratt sang with lightness and vocal ease Rosina's vivacious melodic lines and pyrotechnic coloratura”

Reviewed at Teatro di San Carlo, Naples on 6 July 2022

Rossini, Il barbiere di Siviglia

Teatro di San Carlo

Riccardo Frizza, Conductor

Filippo Crivelli, Director

Emanuele Luzzati, Set Designer

Santuzza Calì, Costume Designer

Orchestra del Teatro di San Carlo

Coro del Teatro di San Carlo

Luca Baracchini, Revival Director

Jessica Pratt, Rosina

Xabier Anduaga, Count Almaviva

Davide Luciano, Figaro

Carlo Lepore, Dr Bartolo

Riccardo Fassi, Don Basilio

Daniela Cappiello, Berta

Giuseppe Scarico, Officer

Clemente Antonio Daliotti, Fiorello

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Lorenzo Fiorito, 11th March

Gianni Amelio's 2021 production of Lucia di Lammermoor at the Teatro di San Carlo serves the music, but it no longer commands the same sense of discovery.

***11

Laurent Pelly’s Falstaff passes the Naples test with flying colours

Lorenzo Fiorito, 15th February

The French director’s much-travelled production arrives at the Teatro di San Carlo, displaying a precise balance between word, gesture and voice.

*****

Ludovic Tézier delivers a noble Nabucco in Naples

Lorenzo Fiorito, 18th January

Andreas Homoki’s staging at the Teatro di San Carlo, setting aside a few inconsistencies with the libretto, does not indulge in redundant symbolism.

***11

Ennio Morricone’s only opera, Partenope, finally premiered in Naples

Lorenzo Fiorito, 14th December

Vanessa Beecroft’s production of Ennio Morricone’s demanding sole opera relies on strong visual images.

***11

San Carlo’s Medea a clash of worlds in a neoclassical framework

Lorenzo Fiorito, 10th December

A new Medea at the Teatro di San Carlo presents three distinct visions – neoclassical in the pit, expressionistic on stage and conceptual in the direction – that never fully merge.

***11

Vocal triumph in Un ballo in maschera at the Teatro di San Carlo

Lorenzo Fiorito, 11th October

Faithful to the libretto’s dramaturgy, the staging unfolds in scenographic environments of strong impact -

****1

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Lorenzo Fiorito

Lorenzo Fiorito holds degrees in Humanities and in Languages and Literatures, and a Phd in Languages for Special Purposes. He is a lecturer in historical musicological subjects at the Pegaso University, Naples, the Universitas Mercatorum, Rome and MEDEA Higher Education Institution, Malta, currently researching musicology as a special language. He is a member of the National Music Critics Association and of the Italian Society of Musicology. He edited a series of volumes in Musicology and History of Music for the publisher Diana Edizioni, mainly concerning the Neapolitan School of Music of the 18th century, and is the founder and artistic director of the “Francesco Durante Festival” in Frattamaggiore.

Jessica Pratt hits the virtuosic heights in Barbiere at the Teatro di San Carlo