The Concertgebouw and Gatti: keeping tradition alive

By Edward Sava-Segal, 19 January 2018

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“The four repetitions of the “demonic” theme were rendered with an utmost convincing force”

Reviewed at Carnegie Hall: Stern Auditorium, New York City on 17 January 2018

Wagner, Parsifal: Prelude to Act III

Wagner, Parsifal: Karfreitagszauber (Good Friday Music)

Bruckner, Symphony no. 9 in D minor, WAB 109

Royal Concertgebouw Orchestra

Daniele Gatti, Conductor

Chailly makes a highly anticipated return to the Royal Concertgebouw

Max Lima, 4th March

Joined by two of the Netherlands' finest choirs, Riccardo Chailly conducts a Prokofiev double bill: the Fourth Symphony, a first for the orchestra, paired with the cantata Alexander Nevsky.

*****

Rafael Payare makes an unconvincing Royal Concertgebouw debut

Clare Varney, 19th February

Frank Peter Zimmermann joins the orchestra to bring Frank Martin’s seldom heard Violin Concerto back to the Netherlands.

***11

Jaap van Zweden, Dutch wanderer, rejoins the Concertgebouw Orchestra

Clare Varney, 21st January

Leonidas Kavakos joins the Royal Concertgebouw Orchestra for an evening of Hollywood glamour and lush Romantacism.

*****

Paavo Järvi and Beatrice Rana at the Concertgebouw

Antonio D'Amato, 9th October

An evening of contrasts at the Concertgebouw, where Beatrice Rana’s poised Beethoven meets Paavo Järvi’s clear-eyed Sibelius in a thoughtful performance with moments of genuine resonance.

***11

Barbara Hannigan conducts the Royal Concertgebouw

Clare Varney, 2nd October

The Royal Concertgebouw Orchestra puts Persian music centre stage with the Dutch premiere of Tehran-based composer Golfam Khayam's I am a tale not to be told.

*****

Dramatic French flair from Thibaudet, Mäkelä and the Concertgebouw

Clare Varney, 17th September

Jean-Yves Thibaudet’s astonishing technical prowess in Saint-Saëns’ Fifth Piano Concerto entrances Amsterdam’s Concertgebouw.

****1

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Edward Sava-Segal

Edward has been living in New York for the last 25 years, one of the reasons being the extraordinarily rich cultural life in this city. He has studied piano and classical music in his early years. He switched later on to computer science and data architecture but he kept an unwavering interest in following the classical music phenomenon here in New York and in his travels. Edward occasionally reviews fine arts events for the most prestigious literary magazine in Romania, his home country.

The Concertgebouw Orchestra and Daniele Gatti: keeping the tradition alive