Sarah Connolly brings the best of British to Tuscany

By Jonathan Sutherland, 25 August 2017

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Reviewed at La Foce, Siena on 5 August 2017

Mahler, Rückert-Lieder

Poulenc, Banalités, FP 107

Debussy, Chansons de Bilitis

Britten, A Charm of Lullabies for mezzo soprano and piano, Op.41

Bennett, A History of Thé Dansant

Handel, Rinaldo, HWV 7: Lascia ch'io pianga

Dame Sarah Connolly, Mezzo-soprano

Julius Drake, Piano

Bumpy love songs from Roderick Williams and Julius Drake at PCMS

Cameron Kelsall, 12th February

A fully produced performance of Brahms' Die schӧne Magelone in Philadelphia, complete with on-stage narrator and bespoke drawings, proved less than the sum of its parts.

**111

Fauré Song Gala a showcase for the composer's mélodies

Mark Valencia, 13th September

Fauré was the finest of French songwriters. Stéphane Degout and Véronique Gens shine in a full-length evening in a packed Wigmore Hall.

****1

Gerald Finley and Julius Drake bring Night and Day to London

Mark Valencia, 24th November

Heinrich Heine settings by Schumann and Schubert are counter-balanced by Duparc and Cole Porter in a Temple Song recital reflecting on night and day.

*****

A scorching Diary of One Who Disappeared at Janáček Brno Festival

Gianmarco Segato, 12th November

Tenor Nicky Spence and mezzo Václava Krejčí Housková thrill with a theatrical take on Janáček's The Diary of One Who Disappeared with pianist Julius Drake.

****1

Alice Coote and Stuart Jackson bring Mahler to Middle Temple Hall

Mark Valencia, 11th November

Pianist Julius Drake and his two singers probe the audience’s collective soul with the depth of their Mahler performances.

*****

An intense Winterreise from Fleur Barron and Julius Drake

Edward Sava-Segal, 27th February

A young mezzo and a seasoned pianist performed a rendition of Winterreise that sounded very fresh indeed.

***11

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Jonathan Sutherland

Jonathan Sutherland is a graduate of the Sydney Conservatorium of Music and the Hochschule Mozarteum in Salzburg. He is also an internationally renowned concert pianist specializing in the music of the 1930s. Jonathan’s first operatic experience was hearing Maria Callas sing Tosca in Covent Garden and he has since heard performances in all continents of the world including over 60 different productions at the Wiener Staatsoper. He has written for The Australian, Opera Today and The Opera Critic as well as Bachtrack. Jonathan speaks English, French, German and Italian fluently and is based in the south of France near Nice.